"A Good Year" Concluded: Dishing It Out
So here we are. The end of the line. All the critics’ groups have dished out their awards (did that make you dizzy enough last week?) and the guilds are soon to announce their nominees. Before we duck out for the holiday season here at In Contention, however, let’s toss up the obligatory rundown of kudos, as far as my wacky mind and opinion sees things. Again, that #1 tie Monday makes it clear that it’s very difficult to qualify “The Fountain” and “Inland Empire,” so I’ve opted ouot of letting those films top the Best Picture and Best Director categories here. It really is tough to describe, I guess, but oh well. I’m not curing cancer here…
Best Picture
“Children of Men”
Best Director
Alfonso Cuarón, “Children of Men”
Best Actor
Gael García Bernal, “The Science of Sleep”
Best Actress
Laura Dern, “Inland Empire”
Best Supporting Actor
Jack Nicholson, “The Departed”
Best Supporting Actress
Rinko Kikuchi, “Babel”
Best Adapted Screenplay
“The Departed”
Written by William Monahan
Based on an original screenplay by Feliz Chong, Siu Fai Mak
Best Original Screenplay
“Babel”
Written by Guillermo Ariaga
Best Art Direction
“Children of Men”
Jim Clay, Geoffrey Kirkland,
Best Cinematography
“Children of Men”
Emmanuel Lubezki
Best Costume Design
“Dreamgirls”
Sharen Davis
Best Film Editing
“United 93”
Clare Douglas, Richard Pearson, Christopher Rouse
Best Makeup
“Pan’s Labyrinth”
Best Music – Original Score
“The Fountain”
Clint Mansell
Best Music – Original Song
“Listen” from “Dreamgirls”
Best Sound Mixing
“Happy Feet”
Best Sound Editing
“Happy Feet”
Best Visual Effects
“Superman Returns”
Best Animated Feature
“Over the Hedge”
Best Ensemble Performance
“Shortbus”
Now beyond that, I like to offer up varying degrees of commendations. This or that, just to get some other titles out there and give an overall view of how I saw the 2006 cinematic landscape:
Most Underrated Film of the Year
“Running with Scissors”
Most Overrated Film of the Year
“Volver”
Best Directorial Debut
Rian Johnson, “Brick”
Breakthrough Performance (Male)
Kazunari Ninomiya, “Letters from Iwo Jima”
Breakthrough Performance (Female)
Rinko Kikuchi, “Babel”
Best Cameo Performance (Male)
Dustin Hoffman, “The Lost City”
Best Cameo Performance (Female)
Julia Ormond, “Inland Empire”
Best Performance in a Bad Film
Cate Blanchett, “The Good German”
Worst Performance in a Good Film
Rachel Weisz, “The Fountain”
Best FYC Campaign
Paramount Pictures for “Dreamgirls”
This film has been on the awards circuit for ten months, and it shows no signs of stopping. But Paramount/Dreamworks has put together a fetching ad campaign full of bright colors and christening itself as THE contender to beat this awards season.
Studio of the Year
Fox Searchlight Pictures
Call it the “best schmoozer” award if you must, but I think this kind of thing can creatively reach a bit deeper. Sometimes it goes beyond the dollars earned and the quality of product on the whole. After all, the worst film can be a top grosser and the best film can lack the pizzazz of a supportive studio. It seemed every time I came home this fall, there was something else in the mail pitching consideration for a Fox Searchlight offering. Whether it be a little yellow bus for “Little Miss Sunshine,” separate category cards for “Notes on a Scandal” or a “Thank You for Smoking” Christmas card, this was a studio visibly encouraged by and supportive of its slate of 2006 cinematic product. Also going to great lengths to throw hip events for films like “Sunshine” and “Fast Food Nation,” this is a company, and a PR team, that understands how to reach out to the industry, and they did so vibrantly, excitedly, all throughout the year. It certainly helps that their slate was a valuable, diverse and exceptional one, to say the least. Bravo.
Best Poster
“The Last King of Scotland”
Best Trailer
“The Prestige”
Most Surprising Film of the Year
“The Painted Veil”
Most Disappointing Film of the Year
“Miami Vice”
Best Action Sequence
“Pirates of the Caribbean: Dead Man’s Chest”
The Kraken sinks the Black Pearl and the end(?) of Jack Sparrow.
Best Opening Titles Sequence
“Casino Royale”
Entertainer of the Year
Clint Eastwood
Whatever your opinions of “Flags of Our Fathers” and “Letters from Iwo Jima,” these efforts combine for one hell of an ambitious endeavor. I applaud such bravura, as anyone who knows the effort that goes into making just ONE movie would.
Comments
Amen to your picks for Original Score, Animated Feature, and Most Disappoinitng Film.
Posted by: William Goss | December 22, 2006 01:16 PM
Ah! "Disappointing."
Posted by: William Goss | December 22, 2006 01:17 PM
What Fox Search has done so for is some crazy stuff. But it just might work. I mean, how does Ellen not open the Oscars without the Yellow Van.
Posted by: Paul8148 | December 22, 2006 03:54 PM
You really did not just hate on Weisz in 'The Fountain', did you?
:(. WHY?
Posted by: Beau | December 22, 2006 10:18 PM
Rachel Weisz was great in "The Fountain". Kris just loss all creatibility with me.
Posted by: mike234 | December 23, 2006 12:24 PM
Mike, you say that as if it's some sort of weapon. Like your sense of credibility holds sway over me. "Oh no! I lost all credibility in Mike's eyes!"
Anyway, she wasn't great. She was borderline terrible, and I've found many who adore the movie agree with me. Just as many who adore the movie, like yourelf and Beau, also love the performance, but for me, it was threatening to bring down the ship at every moment. It was painfully self-aware and not at all as embodied as Jackman's performance, who simply seemed to go with the effort much more so than Weisz seemed to.
But hey, Aronofsky got a wife and kid out of the deal...
Posted by: Kristopher Tapley | December 23, 2006 01:20 PM
Really? That's why the majority of the reviews liked her performance ( Despite some of them hating the film) That's why the majority of the user comments at imdb ( even the ones trashing the film with a deep passion) Praised her performance as well? I loved Huge Jackman's performance but a good potion of people thought he overacted as well. If you want to justify your bashing Rachel Weisz just to praise Hugh Jackman's performance then fine. Don't try to say that the majority agrees with you because that's a lie.
If you want to try to back up what you have said then fine, i can do it as well. It just falls to matter of opinion and your does not represent the majority of people who saw it.
Posted by: mike234 | December 23, 2006 02:15 PM
I never said majority. I said many. And I also never attempted to justify my opinion as a "correct" one by insinuating majority, as you are doing.
Posted by: Kristopher Tapley | December 23, 2006 02:49 PM
Kris,
Why do you think that “The Painted Veil” is a surprising film for you?
I think Edward Norton and Naomi Watts have excellent chemistry in this beautiful film. Hopefully they will get Oscar nods in January.
Posted by: numberina | December 23, 2006 03:07 PM
You've answered my Weisz question now, now tackle my other one: Why Superman Returns over Pirates for VFX?
Posted by: ydgmdlu | December 23, 2006 03:29 PM
I loved Rachel Weisz's performance in The Fountain. I liked her performance more than i liked the film.
Posted by: doggma | December 23, 2006 03:55 PM
P.S. Superman over Pirates? Never
Posted by: doggma | December 23, 2006 03:58 PM
in your review of Babel you seemed to praise Adriana Barraza a little bit more than Kikuchi...
great winners!!!
Posted by: CarlinhosBrown | December 23, 2006 06:29 PM
I wish Kazunari Ninomiya participates in a oscar race.
It is regrettable that WS deprived him of participating qualification.
It is unthinkable that he is removed from the object of evaluation.
He is the wonderful actor who should win a prize.
Posted by: durara | December 31, 2006 03:00 AM