Alexandre Desplat/Greg P. Russell: The "Tech Support" Interview
Sound mixing and music composition may seem to be unrelated tasks when it comes to the creation of a film. But both tasks go to toward the betterment of a given film’s overall soundtrack, the audible experience that can add to the enjoyment of a film as much as the most beautiful of landscapes or the most dazzling of visual effects sequences. I recently had the opportunity to speak to a composer and sound mixer who are in the thick of this year’s award races in their respective categories.
Comments
next to Dione Beebe's exclusion with Collateral, Desplat's exclusion for his Girl With a Pearl Earring and Birth scores is the most maddening non-acting snub of recent years.
That branch is ridiculous sometimes.
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| December 28, 2006 07:10 AM