DGA Noms are in! Eastwood snubbed!
From Variety:
The Directors Guild has selected Alejandro Gonzalez Inarritu for "Babel," Bill Condon for "Dreamgirls," Martin Scorsese for "The Departed," Jonathan Dayton and Valerie Faris for "Litte Miss Sunshine" and Steven Frears for "The Queen" as nominees for its top feature directing award.
DGA president Michael Apted made the announcement Tuesday morning at guild headquarters in Hollywood. The winner, to be decided by voting among the 13,000 DGA members, will be announced Feb. 3 in ceremonies at the Century Plaza Hotel in Los Angeles.
The winner of the DGA award will be a front-runner for the directing Oscar. The DGA winner and the Oscar winner have matched in 52 of the last 58 years, including last year when Ang Lee won both trophies for "Brokeback Mountain."
The nominees were chosen by DGA members from over 400 eligible films with a theatrical release in 2006.
So, did anyone actually put in the screener for "Letters from Iwo Jima?" Anyone? Could the roll-out of that film's campaign have been any more sluggish? Could the passion behind this, a film that could have taken the prize for Best Picture, have been any less exsistent? I don't know, maybe getting the DVD to voters the day before they go to Tahoe or Santa Barbara or Miami or Hawaii or wherever for two weeks isn't the best thing to do for a film that deserves measured viewing and consideration.
Anyway, I think you're looking at the Best Picture line-up, folks. That really seems like all she wrote. It appears to me that the campaigns exuding some fortitude and drive are the ones being rewarded this season, Paramount Vantage/Perception PR and Fox Searchlight/ID-PR in particular, going against the odds on their films. Big congrats to all involved.
Once more, the DGA nominees are:
Alejandro Gonzalez Inarritu, "Babel"
Bill Condon, "Dreamgirls"
Martin Scorsese, "The Departed"
Jonathan Dayton and Valerie Faris, "Little Miss Sunshine"
Stephen Frears, "The Queen"
Comments
Those are our Best Picture nominees...damn that DGA knows how to predict (Babel is LOCKED now, by the way).
Clint may very well be dead. Though I suppose he could get in over either Dayton/Faris or Condon, at the Oscars. But Greengrass, Del Toro and Cuaron traditionally fit the mould of the sort who accomplish that.
Posted by: Gerard Kennedy | January 9, 2007 10:14 AM
well Babel & Little Miss Sunshine are locked...
but what about directing... I'm still thinking Guillermo del Toro or Alfonso Cuaron could surprise... but I'm saying Eastwood instead of the duo...
Posted by: CarlinhosBrown | January 9, 2007 10:30 AM
It's foolish at this point to think Dayton and Faris are weak in the directing field at the Academy. Any consideration given to Cuaron, Del Toro, Eastwood and Greengrass is baseless and perhaps wishful thinking right now, I think. It really might just be another boring 5/5 year.
And hey, congrats to the precursors. They finally got the formula down for perfect prognostication, long before us "pros" found what worked!
Posted by: Kristopher Tapley | January 9, 2007 10:33 AM
It's rare that the PGA and DGA are this solidified, isn't it? I don't recall any times (in more modern years) that they have matched EACH OTHER, as opposed to the Oscars. But I kind of knew Eastwood would get snubbed. I was a bit scared to bluntly accept it, for fear of jinxing it.
But I do agree with Kennedy. If ANYONE has the potential to upset Condon or Team LMS, it's Greengrass, followed by Del Toro, Cuaron, and maybe a penultimate Altman tribute.
Posted by: Cinemaniac | January 9, 2007 10:35 AM
I don't think there's any reason to think Condon or Dayton/Faris are weak with the Academy at this point. Both films appeal quite strongly to Oscar voters.
I see Greengrass as a distant 6th, which is a shame.
Posted by: BNick | January 9, 2007 10:43 AM
"a film that could have taken the prize for Best Picture" I think a win would be unlikely in any year, strong or weak, with or without Harvey or a more ideal release pattern. It's just not the sort of film non-critics embrace.
I think the films most hurt by late releases are Children of Men and Pan's Labyrinth, either one of which could have built a Crouching Tiger sort of consensus because they are the sort of film non-critics embrace, even as they're challenging, they're appealing and satisfying.
Children of Men was originally supposed to release in October, right? why didn't they stick with that release for a limited run until the holidays and open wide, rather than a two week limited run and a wide opening. How are you supposed to build consensus or word of mouth, or even awareness of the movie with such a short window? Dreamgirls did it with their ridiculous but effective exclusive engagements. Last year, Spielberg did it because he's Spielberg, and Brokeback did it because it hit a cultural zeitgeist of awareness.
There doesn't seem to be much room left in the season for limited engagement films.
Posted by: movielocke | January 9, 2007 11:01 AM
movielocke, the answer the the Children of Men question is money. The film would have been buried by the Oscar season. Believe it or not, opening in late December gets the studio out from underneath the Oscar onslaught of films, and it had a better chance to make money.
And I disagree with you completely on Letters. A passionate, smart campaign would have taken the Best Picture win walking away.
As for all the lone director talk, even Greengrass is wishful thinking, folks. He's got some critical notices, but that's it. The film is dead, because no one, apparently besides critics, saw it.
If anyone of the potential "lone directors" has a shot, it's still Eastwood, who at least has that Golden Globe nod to show for himself. But even then, who gets left off? If anyone is weak, I'd say it's Condon, not Dayton/Faris. So I think I'll just be predicting 5/5 until the end on this one.
But Altman showing up would not surprise me in the slightest...
Posted by: Kristopher Tapley | January 9, 2007 11:19 AM
I forgot to mention Altman as well; he's a real threat.
Posted by: Gerard Kennedy | January 9, 2007 12:04 PM
What a disaster for Eastwood. I would have nominated him just out of respect. But I still somehow think Eastwood has the potential to get nominated and even beat Scorcese. And Scorcese can join the ranks of Alfred Hitchcock and Stanley Kubrick.
For the Best Picture thing, I would prefer both Letters From Iwo Jima and The Queen over The Departed. But it seems an unlikely possibility.
Posted by: redwine | January 9, 2007 05:31 PM
"I would have nominated him just out of respect."
And that's why certain branches of the Academy are idiots.
Very surprising to not see Eastwood on there. Very suprised indeed.
I still just don't think the LMS crew can make it. I expect the high brow Academy, who don't generally give comedy the time of day, to wonder why it takes two people to make a road trip comedy.
Posted by: KamikazeCamelV2.0 | January 9, 2007 05:59 PM
"I would have nominated him just out of respect."
Look at his staggering achievement this year. He made movies uncompromisingly showing 2 sides of a war, a first in cinema history and managed to come up with a balanced and non-judgemental point of view.
This definitely deserves some recognition.
Posted by: redwine | January 10, 2007 04:59 AM
I'd love to see Greengrass break in...crazy to see DGA and PGA line up so perfectly.
blah!
--RC of strangeculture.blogspot.com
Posted by: RC of strangeculture | January 10, 2007 09:48 AM