Consolata Boyle/Philip Glass: The "Tech Support" Interview
Two of last week’s Academy Award nominees offered seemingly diametrically opposing examples of building theme and character: the understated and the overstated. Consolata Boyle’s subtle but particular work on Stephen Frears’s “The Queen” was singled out by the costume designers’ branch, while Philip Glass’s rolling, tension-inducing score for Richard Eyre’s “Notes on a Scandal” ultimately out-lasted his more classic work on Neil Burger’s “The Illusionist.” I recently had the opportunity to speak with both artists about their Oscar-nominated work.
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