Best Music – Original Score

Dario Marianelli and Alberto Iglesias both received their first nominations two years ago for “Pride & Prejudice” and “The Constant Gardener,” respectively. They return to the fold this year for “Atonement” and “The Kite Runner.” I’d call Marianelli the frontrunner for the win, while Iglesias will likely be his biggest competition.

Marco Beltrami gets his first nomination for “3:10 to Yuma,” a tribute to a great film, great score and great campaign. Meanwhile, Michael Giacchino grabs a nod for “Ratatouille,” one of five for Brad Bird’s acclaimed effort. I’d call both of these contenders dark horses in the race.

Johnny Greenwood, on the other hand, got disqualified for his amazing compositions for “There Will Be Blood” at the last minute. This is – pardon me – bullshit, as far as I’m concerned, and exemplifies the music branch’s refusal to welcome innovative, brilliant work. Every year it seems an out-of-the-box, non-traditionalist, innovative score is snubbed by these people. Greenwood may very well have gotten a nomination on his own merits without this 11th hour ruling.