• Pete Hammond follows up on the Academy’s foreign screenings, plus more. [Notes on a Season]
• Like me, Steven Zeitchik senses a little “Slumdog” in “Precious.” [Risky Business]
• David Poland catches some intriguing similarities between the recently released “Invictus” and a number of other posters from Eastwood flicks. [The Hot Blog]
• Rodrigo Perez takes the post-festival Oscar temperature. [The Playlist]
• Patrick Goldstein wonders how Fox Searchlight was stuck with a “turkey” like “Amelia.” [The Big Picture]
• Meanwhile, the press parade for the film takes flight across the pond, as James Mottram sits down with Hilary Swank. [The Independent]
• McPaper sends Claudia Puig out to write the least insightful review of “Antichrist” imaginable. It’ll be interesting to see if female critics respond any differently than male critics, though. [USA Today]
• But then, A.O. Scott (who has the gall to find the film “dull”) may have just answered the question. But he totally misses the point of a key line in order to make it his punchline. Lazy. [New York Times]
• Orson Welles: the most glorious film failure of all time. [The Guardian]
• Anne Thompson bends Carlos de Abreu and the Hollywood Film Festival over her knee and spanks the living daylights out of them. [Thompson on Hollywood]
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2 responses so far
1 10-23-2009 at 8:45 am
James D. said...
I thought A.O. Scott’s review was pretty good, but dull is the last word I would use for the film. Your eyes are glued, whether it is from disgust or admiration.
2 10-23-2009 at 9:11 am
Guy Lodge said...
Jesus. I’m not the biggest Claudia Puig fan, but she’s usually a little more articulate than that.
“The most disturbing, bleak and self-indulgent film ever made?” Ever? Perhaps she means it, but how hard did she think about that statement?
It wasn’t even the most self-indulgent film at Cannes.