In Contention

Tag: Amistad

  • Spielberg and blockbusters

    Can he do it? After becoming (in his own eyes) a serious filmmaker with “Schindler’s List,” “Amistad,” “Saving Private Ryan,” “A.I.” and “Munich,” is Steven Spielberg able to re-create the magic he almost always brought to his pure entertainment blockbusters?

    It takes a look at his journey as an artist to even attempt a reasoned understanding of such a question.

    On one hand, I argue that he was always a brilliant director, “Jaws,” “Close Encounters of the Third Kind,” “Raiders of the Lost Ark,” and “E.T.” all great examples of his artistry, yet he himself was never satisfied by the reaction to those films by the Academy. It is well documented that Spielberg coveted acceptance in the film community, seeing the Oscar for Best Director as the ultimate acceptance from Hollywood. Snubbed for “Jaws” in 1975, he behaved like a petulant child as live cameras caught it all on film, invited in to see his reaction when he was nominated…but — he wasn’t.

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