In Contention

Tag: Aurora

  • Three more join the foreign Oscar fray

    With the deadline for submissions not even six weeks away, expect a number of posts in this vein before then; for now, however, the number of formal entries for the Best Foreign Language Film Oscar has swelled to a modest five.

    While the first two in the game, Greece and Poland, were reasonably high-profile contenders — the latter’s entry, in particular, sounds like something of a perfect Oscar storm for this category — the most recent three are rather less prominent. Romania, Morocco and Venezuela are all angling for their first ever nomination in the Oscar race.

    Of the three, Romania’s running duck in this race is perhaps the most surprising. The Academy has remained wholly resistant to the country’s critically hailed cinematic renaissance in the last decade; indeed, the snubbing of Palme d’Or winner “4 Months, 3 Weeks and 2 Days” was one of the final straws that prompted a new voting system in the category. It’d be just like the Academy to finally relent for a film low on the radar, so perhaps Marian Crisan’s “Morgen” could be the one.

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  • First foreign Oscar submissions

    I was waiting for news of these to begin trickling in… in my memory, the flood of official submissions for the Best Foreign Language Film Oscar usually begins earlier than August. Anyway, we’re there, so expect a lot more of these updates between now and October 1, the Academy’s formal (if not entirely inflexible) deadline for participating countries to enter their films.

    The first three confirmed entries come from Taiwan, Romania and Iraq — the latter two countries awaiting their first nominations in the category, while Taiwan seeks to return to the race for the first time since its sole win, with “Crouching Tiger, Hidden Dragon,” a decade ago.

    The most high-profile of the three is Romania’s pick: Florin Serban’s debut feature “If I Want to Whistle, I Whistle,” was one of the few critically embraced Competition titles at February’s Berlin Film Festival, where it scooped the runner-up Silver Bear prize. As is my wont at festivals, it seems, I missed it both at Berlin and at Edinburgh, though I’ve heard glowing reports from colleagues of the film, a character study of a teenager, on the brink of release from a detention center, whose rehabilitation is disrupted when his neglectful mother re-enters his life.

    (More, including trailers for all three films, after the jump.)

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  • CANNES: ‘Chatroom,’ ‘Aurora’

    Far be it from me to tell Thierry Fremaux et al how to run a festival – though I’ve programmed some pretty wicked DVD marathons in my time, I’ll have you know – but the scheduling at Cannes this year has been haphazard, to say the least. Today, for example, served up no Competition titles whatsoever, with only two Un Certain Regard titles to keep “Wall Street: Money Never Sleeps” (which I hardly expected to emerge as my favorite film of the day) company on a Friday night.

    Cut to me drawing up my viewing schedule for tomorrow, frantically calculating the pros and cons of around eight different titles I want to see, and I can’t help wishing they’d spread the weekend wealth a little. Mike Leigh’s “Another Year” and WoodyAllen’s “You Will Meet a Tall Dark Stranger” are the two major attractions, of course, but I’ll be sorry to miss Cam Archer’s “Shit Year” in Director’s Fortnight. That’s just the morning menu: later on, we get buzzy new titles from Gregg Araki, Xavier Dolan, Charles Ferguson and Mahamet-Saleh Haroun … there will be, if not blood, some heavy-hearted cross-outs.

    Not that I was much in the mood for further screenings after today’s slightly gruelling back-to-back triple-bill, one-third of which found me hunched on the stairs of the Salle Debussy theater as press packed out this afternoon’s screening of Hideo Nakata’s “Chatroom.” (They’d regret their enthusiasm before long.)

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