In Contention

Tag: Beauty and the Beast

  • INTERVIEW: ‘Tangled’ composer Alan Menken

    Sitting at the Four Seasons’ Culina Restaurant with a tomato juice in hand, politely asking to turn the heaters up on a fair weather day, composer Alan Menken recalls the afternoon before, when he received a star on the Hollywood Walk of Fame.

    “That was a trip,” he says. “I didn’t know how much to make of it or not to make of it. It’s not a moment where someone says, ‘You’ve won this because you accomplished this.’ It’s a moment in time when someone says, ‘You know what? You should have a star.’”

    And it’s not the most out-of-line observation, given what Menken has meant to filmmaking, particularly animated filmmaking over the past two decades. It seems surprising that, however political an honor such as this may be, that he didn’t have one. But like he seems to take most praise, Menken was politely appreciative and didn’t quite know what else to make of it.

    “It was almost a little like going to a funeral. Because they have the thing covered up and you’re standing there and then they uncover it. And then I went back later in the day to visit my star and it’s a little strange, your star is still there and you’re walking away. On cold nights I can picture homeless guys peeing on it.”

    The star rests on the sidewalk outside of Disney’s El Capitan Theatre, a fitting place given Menken’s undeniable contribution to the studio’s legacy over the last 21 years.

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  • My stance on foreign cinema

    Beauty and the BeastOn Independence Day, no less…

    There seems to a huge misconception on the site that I dislike foreign language films and know little about them. While it is no secret I love American cinema and praise it frequently, I do indeed believe great films are made around the globe, and try to see every one I can at the festivals I attend and the screenings I attend on a weekly basis. My love for foreign language cinema, admittedly, is not as deep as the one I have for American cinema (and remember, I am Canadian), but when I see a great one (which is often) I do indeed champion it.

    Foreign language films can be extraordinary experiences, though the acting styles differ, the cultures are often radically different, yet the storytelling techniques, for the most part, are the same, which is what makes cinema a universal language.

    If I recall, the first foreign language film I saw was “Beauty and the Beast,” which was a stunning work of art from French director Jean Cocteau that I saw as a child on a French TV station here in Canada. It was wildly imaginative, fantastical and stunning, a black and white beauty. I watched as many films on that station as I could, including “Breathless,” which I knew as a teenager was bold and brilliant, and “Jules and Jim” from Truffaut.

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