In Contention

Tag: Heaven

  • Guy’s top 50 of the decade: #11-20

    Dennis Haysbert and Julianne Moore in Far From HeavenOkay, so I wasn’t expecting “Wolf Creek” to be the most popular inclusion — though in putting it out there, I was glad to see the number of fellow cheerleaders I have for that one. Such sharing is the principal joy of doing such lists.

    I doubt that any titles in today’s group of ten are quite as contentious, though one received a far rougher ride from some major critics upon release than I think it deserved, and has rather disappeared from view in recent years. Keen-eyed readers will also notice my list’s first overlap with Kris’s best-of-decade collective — ironically, on a film that tends to divide opinion rather than unite it.

    Several of you have asked, in comments and via email, about the films that would fill out my Top 100. I thought 50 films more than enough for me to write up, but since some readers are treating the project as the kind of playlist I had hoped for, I could be persuaded to offer an alphabetical, titles-only list of the also-rans.

    The list continues after the cut.

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  • Two things I like about ‘Indiana Jones and the Kingdom of the Crystal Skull’

    1) Cate Blanchett as Irina Spalko

    If only because it serves to remind us, after her criminally overlooked turn in “Bandits,” what an undervalued comedienne she is. (Don’t believe me about “Bandits?” Watch her first scene, where she’s getting down to Bonnie Tyler in the kitchen as she prepares a casserole, and ask yourself how many other actors could make so much out of so little scripted material.)

    Back to “Indy 4,” she’s the only actor in the whole cast who seems to have judged the right comic tone for her character. It may be bizarre, wigged-out camp, in her case, but that’s what the script tells her to do, and damn it if she doesn’t have fun channelling a thousand hokey “Ry-aw-shun” villainnesses from Hollywood’s B-movie back catalogue. After “Elizabeth: The Golden Age,” she seems to have established a nice line in (not quite) saving po-faced, overboiled schlock with stylish, balls-out burlesque. And all this from an actor equally capable of rendering a character’s crucial moral decision with a simple, silent glance. (If you haven’t seen “Heaven,” do so.) Mr Foote recently made a good case for Sean Penn as the greatest actor of this generation; my vote would go to Blanchett.

    2) Um… uh… no, actually there was just one thing

    I side with Kris on this one. The film’s an utter wash.