In Contention

Tag: I Love You Man

  • SUNDAY CENTS: ‘Monsters’ ball

    Monsters vs. Aliens“Monsters vs. Aliens” came storming out of the gate with a $58.2 million opening this weekend. That comes from an ultra-wide 4,104 theaters, the fourth-widest release ever for a non-sequel, and that’s enough to top the debuts of “Shrek,” “Madagascar” and every other DreamWorks animated non-sequel aside from “Kung Fu Panda.” It also handily beats the $45 million debut that “Horton Hears a Who!” managed during this same time period last year.

    Paramount marketed the life out of this thing, and 3D in general, and it appears to have paid off. With a budget reportedly topping $150 million and at least another half of that spent on promotions, it will be a welcome sigh of relief for the studio brass to see that it caught on with families this week.

    Last week I predicted low on “The Haunting in Connecticut” because I thought audiences might be tired of horror product. After all, this was the seventh horror film to go wide in the 13 weeks of 2009 so far. Silly me. Audiences came out in droves, earning the film $23 million and the ninth biggest debut in Lionsgate’s history.

    Who are these people chomping at the bit to see anything even remotely scary? Is it the same group of people seeing all of them or is there a guy out there who thinks, “’The Last House on the Left’ looks lame. But ‘The Haunting in Connecticut’ looks awesome!” I’m pretty sure I can spoil the endings to all of them at once right now: You wasted your money.

    Back in seventh place is “12 Rounds” with $5.3 mil. John Cena is clearly no Dwayne Johnson and he may not even be Hulk Hogan. Remember “Suburban Commando?” Of course you do. Anyway, this debut tallied less than Cena’s debut, “The Marine,” and it marks another step backward for director Renny Harlin. The man behind classics like “Cliffhanger,” “Die Hard 2” and “The Long Kiss Goodnight” saw his last film go straight to DVD, and now this. I blame Geena Davis, who left him during production of his last great epic: “Deep Blue Sea.”

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  • SUNDAY CENTS: Strong showing for “Knowing”

    KnowingI guess I should listen to the murmurs. Nicolas Cage’s sci-fi extravaganza “Knowing” took the top spot at the box office this weekend with $24.8 million. In terms of Cage’s career, it’s no “National Treasure” and can’t compete with the holy trifecta of Cage action — “The Rock,” “Face/Off” and “Con Air” — but it does help wipe away some of the bad taste left in the mouth by “Bangkok Dangerous” and “Next.”

    Long story short, this guy’s career is the very definition of inconsistent. The result is doubly impressive given that Disney could only manage a similar result for their much more heavily marketed sci-fi adventure last week. I can’t imagine reviews, word of mouth or legs will be great so the big debut is a massive boost for Summit Entertainment, a company still finding its feet and identity.

    Second place goes to the Apatow-less “I Love You, Man.”  $18 million is pretty much the exact same amount as “Forgetting Sarah Marshall” and “Role Models” debuted with and since reviews are in the same ballpark, this should do comparable overall business as well. Incidentally, I saw the film last night and found it to be pretty worthless aside from a charming performance by Paul Rudd and one inspired joke involving iTunes. If you want to see an amazing and hilarious “bromantic” comedy, wait for “Humpday” in July.

    Our third and final opener is the Clive Owen/Julia Roberts caper “Duplicity.”  Adult-targeted films never stand a chance against shit that blows up, so $14.4 million is a respectable enough place to start.  Star power ain’t what it used to be but the pedigree of the talent in front of and behind the camera should ensure that this one sticks around for a couple of weeks. In the comedic heist sub-genre, “Out of Sight” debuted with $18.5 million in the summer of 1998 and “Bandits” did $16.6 million in 2001. Both finished around $55 million.

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  • POLL: What are you seeing this weekend?

    I figure it’s time for a new poll since everyone has spoken on “Watchmen” by now.  Since there’s an interestingly diverse slate of films set to open this weekend, I figured I’d ask the old stand-by: What are you going to see?

    I’m strangely looking forward to “Knowing,” more because of Alex Proyas than anything else (which, by the way, finally caught up with that “Dark City” director’s cut I wrote about earlier in the week — MUCH better experience than the theatrical version, I’d say).  Then again, “I Love You, Man” is frankly looking like the right antidote lately, while the reviews of “Duplicity” have piqued my interest in Tony Gilroy’s latest.

    There are also a couple of limited releases in play this weekend, most notably Steve McQueen’s “Hunger” (which you all know was one of my favorite films of last year when it played the festival circuit).  But maybe you’d rather see “Watchmen” again, or something else that’s still kicking around the marketplace.  Whatever the case, let us know in the sidebar poll and feel free to expand on your pick in the comments section below.  We’ll find out what the masses decided when Chad writes up the weekend’s box office Sunday.