In Contention

Tag: Nobody’s Fool

  • THE LISTS: Top 10 Paul Newman performances

    Paul Newman in The StingExpected or not, this week’s news that screen legend Paul Newman has broken through to the other side is deeply depressing.  But as I noted over the weekend, it’s best to take moments such as this as an opportunity to celebrate the man and his work.  So it is that this week’s list reflects the very best Newman had to give us…according to me, of course.

    Newman had an undeniable screen presence.  It wasn’t the piercing blue eyes, nor the tall, dark and handsome figure he cut into the celluloid.  It was the attitude.  His character dripped with a sort of soulful aroma that couldn’t quite be considered performance art so much as meditative experiences.  Right out of the gate with “The Silver Chalice” and all the way through to vocal work in “Cars,” Newman’s characters were more genuine than anything surrounding them.  It makes a list of ten nearly impossible to whittle down.

    Any list is going to vary, though a few staples are bound to pop up consistently enough (I’d wager my top four fit that bill).  But it’s ultimately a joy just to go back and revisit these portrayals, regardless of their ranked order.

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  • Reading ‘Gran’

    I’m about half-way through Nick Schenk’s script “Gran Torino,” the Clint Eastwood surprise of 2008 waiting to jump up and bite us all in the ass this December.  So far it’s a really casual, satisfying read.  Some bumps in the first act as Schenk has some trouble settling into the style of the narrative, the consistent racial slurs and the hard-ass Walt Kowalski character (to be played by Eastwood), but it settles in soon enough.

    Kowalski is an interesting mix of Paul Newman’s Sully from “Nobody’s Fool” and Eastwood’s own portrayal of Frankie Dunn in “Million Dollar Baby.”  Maybe even a dash of Walter Matthau’s Max Goldman thrown in.  In fact, I’d place “Torino” right in “Baby”‘s wheelhouse so far, lots of that young-people-shedding-light-on-an-old-codger’s-life stuff going on.

    More on Tuesday, when we review “Gran Torino” in our Page to Screen column.