In Contention

Tag: Ratcatcher

  • CANNES CHECK: ‘We Need to Talk About Kevin’

    The director: Lynne Ramsay (United Kingdom)

    The talent: Reigning arthouse-crossover queen Tilda Swinton leads the cast of Scottish director Ramsay’s third feature; filling the other two key roles are John C. Reilly, shifting gears from his recent run of comedy roles, and 18 year-old Ezra Miller, an effectively gangly presence in “Afterschool” and “City Island.”

    Ramsay adapted Lionel Shriver’s 2003 novel with British actor (and first-time writer) Rory Kinnear, while the film’s long list of producers and executive producers includes Steven Soderbergh and Luc (son of Nicolas) Roeg. Oscar-nominated DP Seamus McGarvey (“Atonement”) is on lensing duty, breaking Ramsay’s early-career partnership with Alwin Kuchler. Most excitingly of all, Radiohead guitarist Jonny Greenwood extends his select but impressive film-scoring CV (“There Will Be Blood,” “Norwegian Wood”).

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  • ‘Trainspotting’ named best British film of last 25 years

    Ewan McGregor in TrainspottingThe Observer has just assembled one of the more interesting lists I’ve seen in some time — a collective of the 25 best British films of the last quarter-century, compiled from the votes of over 60 critics, film professionals and assorted outside voices, ranging from Ben Kingsley to Peter Morgan to our friend Anne Thompson.

    Looking down the list, there are remarkably few inclusions that I really take issue with, whether I’d necessarily put them on my own such list or not — the majority of titles here are films I admire that have a legitimate sphere of influence in modern British film history, and they’ve lucked into an intelligent balance between arthouse and populist titles.

    “Trainspotting” is an obvious pick for number one, but sometimes obvious is fair. I don’t think it’s the greatest of the 25 titles listed here, but it’s an inarguably fine film that embodies the restless spirit of mid-1990s Britain from its whip-smart dialogue to its mega-selling soundtrack: its lightning-in-a-bottle blend of thrilling cinema and social document assures immortality.

    (Further discussion, and The Observer’s Top 10 list, after the cut.)

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  • Where the wild things come from

    Here’s pretty much the coolest thing I’ve seen on the internet in a while: We Love You So is a blog from the makers of “Where the Wild Things Are” that details, in pleasantly haphazard fashion, the various films, books, images and other bits and bobs that served as form of influence or inspiration (however tangential) for them while working on the film — and plenty else besides.

    As you’d expect from Spike Jonze and his crew, it’s a pretty mixed bag. I was, however, thrilled and excited to read that Jonze regards Lynne Ramsay’s amazing “Ratcatcher” as a relevant tonal reference, citing the way the film so emphatically enters the midset of its child protagonist, adopting his own perspective. Smart thinking. It’s a clear sign (as if we needed one) that Jonze is taking this story as seriously as he would any adult-oriented project.

    Amid the more random odds and ends on the site, I particularly loved this delightfully depressing photo of a desolate New York ice-cream parlor, that illustrates the extent to which Maurice Sendak’s book has permeated everyday life: