In Contention

Tag: South of the Border

  • SUNDAY CENTS: ‘Grown Ups’ and their toys

    *All historical figures cited are adjusted to today’s dollars.

    Adam Sandler’s agent successfully convinced him that cancer was way less funny than Kevin James’s blubby body falling down repeatedly and that agent has his finger on America’s pulse. “Grown Ups” is not the number one movie this weekend, though, so we’ll come back to it in a second.

    “Toy Story 3” dropped a respectable 47% to $59.0 million and easily repeated at the summit of the chart. It’s running total passed $225 million and the drops should get considerably better from here on out. I guess this means that the success of the first two films wasn’t down to the popularity of Jim Varney after all.

    Okay, now there’s that movie about “Grown Ups.” Seemingly named by an Executive’s five year old son and possibly written by him as well, the Adam Sandler comedy grossed $41.0 million for the weekend. That almost matches the $42.7 million of “You Don’t Mess With the Zohan” and goes a bit better than the $39.6 million of “I Now Pronounce You Chuck and Larry.”

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  • SANTA BARBARA: Bridges, Firth, Stone and producers

    Colin Firth at the 25th annual Santa Barbara International Film FestivalThings are winding down in Santa Barbara.  Today is the last day of the fest, an all-day celebration of Jeff Bridges’s work.  Screenings of “Thunderbolt & Lightfoot,” “Starman,” “The Contender” and “Crazy Heart” are lined up.  I’ll be moderating a Q&A with the actor following the “Crazy Heart” screening at the Lobero Theatre.

    Yesterday it was the producers panel early in the afternoon, Patrick Goldstein moderating an enlightening discussion with Lawrence Bender, Mark Boal, Jon Landau, Lori McCreary, Ivan Reitman and Jonas Rivera.  It was a good cross-section of perspectives on the work of a film producer, and certain a diverse mixture of budgets, economics and creative philosophy.

    There was a moment when Landau proposed that it was a filmmaker’s responsibility to tackle gravitas and Bender took umbrage with that, positing that the real responsibility is to entertain.  Obviously it depends on the circumstance and no filmmaker should be beholden to either ideology (as Boal, always the diplomat, shrewdly noted).  But it was still funny watching Bender once again defending the frivolity of “Inglourious Basterds” in the face of loftier examinations from Landau, McCreary, etc.

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