In Contention

Tag: Stop-Loss

  • The year’s evolving Oscar race reveals the weakest season in recent memory

    Frank Langella in Frost/NixonWith rumors that “The Road” may be bumped to 2009, (not Harvey Weinstein’s choice of release year) and “The Soloist” already moving on, along with the rumblings that “Frost/ Nixon” does indeed lack that edge I wrote about not so long ago, one can feel the Oscar race shifting day to day. Even “Changeling,” once thought to have a decent shot at Best Picture and Best Director nominations, is now looking like a maybe in the race, as 2008 and continues to confound audiences and critics.

    2008 has been a rather weak year at the movies with only “Stop Loss,” WALL-E,” “Iron Man” and best of all, “The Dark Knight” making much of an impact before the Toronto International Film Festival. When that 10-day event did not really produce a frontrunner as it has in years past, all eyes turned to New York and London.  Eastwood’s film received decidedly mixed reviews out of New York while “Che” continued to struggle with the length of the picture.  In London, Ron Howard’s political work, “Frost/ Nixon” has not been knocking the critics out as hoped.

    I’ve been worried about the film for some time.  But the screenplay is based on an award-winning play, Frank Langella is giving the performance that won him accolades on Broadway, but hey, in my view, Howard just isn’t the right director for this sort of film. Give it to Sidney Lumet who, in his 80s, has more edge to his work than Howard. It’s not that he is a terrible director.  On the contrary, he has made some very good films, the criminally under valued “The Missing” among them, but a picture like this needs the very things he lacks as a director.

    So where are we in terms of the Oscar race now, if these films are indeed falling off the radar (the jury is still admittedly out on “Frost”)?  What if the remaining releases are not very good at all and the Oscar race is saddled with an array of mediocre films, which has not happened for many, many years? In fact, the last time I can think of a slew of weak films making up Oscar’s major line-up was 1968, when curiously, “2001: A Space Odyssey” and “Planet of the Apes” were left off the list, shunned for their sci-fi brilliance.

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  • OFF THE CARPET: Who we are, who we want to be

    (from left) Josh Brolin and Toby Jones in W.In the last few weeks, drama has persisted in the yet-to-be-heated Oscar season.  Producers are debating exhibitors in public and mid-summer opinions of awards-caliber product are being revisited — in some cases disavowed — as more and more viewers get their peeks.

    On the positive side, two studios have launched the screener circuit with indie films they hope can muster some remembrance, while the foreign film news bite barrage has come to a close with the qualification deadline.  But there isn’t much to go on in terms of assessing the season, not a lot in the way of tangible grist for the mill.

    Lots of smoke, very little fire.

    In part, that should explain a lack of predictions updates here at In Contention, shifting and sliding for no reason.  And indeed, this week’s update isn’t a massive overhaul — or even an overhaul — beyond putting a few things into context here, trimming the fat there.  But as I set out to update our projections this week, I became more and more aware of 2008’s striking theme of self-reflection this Oscar season.  And hey, it seemed as good an idea for a column as any.

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  • Foundas got served

    I never miss an opportunity lately to read up on someone giving LA Weekly critic (or in this case, Village Voice pundit) Scott Foundas his due. Today, its Ryan Adams at Awards Daily, who lays into Foundas’ rather inane stretch for an observation that Paramount Pictures are doing everything they can to keep Iraq out of the promotion for Kimberly Peirce’s “Stop-Loss.” Take a look:

    Whoa! spoiler alert there, Scotty! Stop Loss is about Iraq, you say? Never woulda guessed from the saturation advertising of, um, soldiers in desert camo and stuff. Way to “spill the beans” there, friendo. And yet Foundas believes the same target audience he belittles are so informed that they’ve seen all the Vietnam movies like The Deer Hunter and Coming Home…

    Of course, Adams is biased here. He’s made no attempt to conceal his pre-ordained love for “Stop-Loss” in recent weeks. But I’ll give him the benefit of the doubt on this one. Give it a read. And if you really want to put yourself through it, check out Foundas’ stretch for a news item at the Voice.