In Contention

Tag: Tell No One

  • INTERVIEW: Kristin Scott Thomas

    Kristin Scott ThomasWhen interviewing Kristin Scott Thomas, the woman who for many audiences represents the living portrait of English upper-crust serenity, Led Zeppelin isn’t exactly the first name you expect to crop up in the conversation. And yet, halfway through our Transatlantic chat, that is exactly what happens.

    “Seeing the guys, well into their sixties, just getting up on stage and doing their thing … it’s just so inspiring,” she says, referring to the British rock gods’ reunion concert that took place in London a year ago. “And spanning generations too — my son is into them. It’s a reminder that you don’t stop being interesting or relevant at a certain age. I’d love to do that.”

    As entertaining as the idea of Thomas belting out “Whole Lotta Love” to a screaming arena of thousands is, it’s a weirdly apt comparison. Where many actresses her age recede (albeit not usually by choice) into mumsy bit parts and dreary disease-of-the-week movies, Scott Thomas, now (incredibly) 48, has recently been taking on the most challenging, intriguing work of her career to date.

    As if to prove the point, she is speaking from New York, where she is tackling one of the theater’s greatest female roles in her first ever Broadway gig. Her witty, ferocious interpretation of Arkadina in Chekhov’s “The Seagull” earned her an Olivier Award for the play’s original London incarnation and is now garnering breathless raves Stateside.

    It’s her recent film work, however, that has made 2008 a banner year for the thesp. Two highly entertaining, highly contrasting supporting roles — as a worldly lesbian in the smash French thriller “Tell No One” and an icy matriarch in period comedy “Easy Virtue” — are mere appetizers to her staggering, career-peak performance as an introverted, grief-ridden ex-con, reconnecting with family and society alike, in Philippe Claudel’s superb debut feature “I’ve Loved You So Long.”

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  • Cinematical swoons over Scott Thomas

    Compared to the drought of previous years, where the five nominees have been all but pre-determined for months in advance, the Best Actress race is looking rather crowded at this point. (It’s certainly the major category that gave me the most pause when I updated my predictions this morning.)

    What’s gratifying to see is that the field features so many contenders from independent films, including the much-discussed Sally Hawkins, Charlize Theron (coming off a lot of Venice buzz), Anne Hathaway, Melissa Leo and Michelle Williams.

    But perhaps the darkest horse of all is Kristin Scott Thomas, an actress whose star has dimmed somewhat Stateside since receiving her only Oscar nomination twelve years ago. In that time, she’s been working more and more frequently in her adopted homeland of France, and she now returns to prominence with the French-language “I’ve Loved You So Long,” a dark domestic drama in which she plays a woman reconnecting with her family after fifteen years in prison.

    Scott Thomas has been garnering steady acclaim since the film bowed at Berlin in February. Now, in the wake of its Telluride screening, and in the midst of a rave review declaring the film a “rare masterpiece,” Cinematical joins the chorus with this bold assertion:

    Thomas’s performance here has been generating Oscar buzz for a while now, and deservedly so; she will almost certainly garner a Best Actress Oscar nod for this film.

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