In Contention

Tag: The Edge of Heaven

  • France leads latest batch of Oscar entries

    As you may have noticed, we’ve been doing our best to keep you abreast of submissions for this year’s Best Foreign Language Film Oscar — the deadline for which is officially (but not definitively) October 1. At last count, 27 countries have entered films, and we now have a separate page where you can keep track of the growing list. (You can also find a link to it under the foreign-language category in the right-hand sidebar.)

    The most prominent contender to enter the race since my last update is France’s “Of Gods and Men,” also known on these pages as the monk movie I embarrassingly couldn’t stay awake for at Cannes, where it wound up taking the Grand Prix. (We’ll be having a rematch at the London Film Festival next month — I look forward to tackling the film again with more than two hours’ sleep behind me.)

    It’s a wholly unsurprising pick, following as it does the country’s simple selection formula since 2007: just choose the French film that took the highest honors on the Croisette. It’s worked for the last two years running, with “The Class” and “A Prophet” both landing nominations.

    (more…)

  • All in good taste

    There’s no real reason to pay attention to the Chlotrudis Awards,which took place on Sunday. After all, they’re a casually organised set of honours determined by an enthusiastic group of Boston-based film lovers — that apparently get mentioned on IMDB and precisely nowhere else.

    But hey, when their taste is this exemplary, they deserve a bit of notice. After all, in the thick of awards season, people actually bother with the innumerable, obscure regional critics’ awards and their largely yawnsome copycat choices. The Chlotrudis Awards, by contrast, go commendably against the grain.

    Any organisation that singles out the exceptional, Oscar-snubbed work of Kristin Scott Thomas and Elsa Zylberstein in “I’ve Loved You So Long” is in my good books, while “The Edge of Heaven” is a pretty fresh, adventurous choice for Best Picture of 2008. “Happy-Go-Lucky,” meanwhile, continues to generate affection, taking Supporting Actor kudos for Eddie Marsan and half a Best Director award — in another inspired move, Mike Leigh and Guy Maddin (“My Winnipeg”) tied for that honour.

    OK, so nobody really notices or cares about these awards, but it’s the principle that counts. I applaud them. Check out a full list of winners and nominees here, if you’re so inclined.

  • NSFC goes with ‘Bashir’ and ‘Happy’ in a big way

    Waltz with BashirThis is just like the National Society of Film Critics.  Sorry, just coming around to this (football has taken some precedence this afternoon as I unwind post-vacation).  “Waltz with Bashir” may have taken the top prize, but “Happy-Go-Lucky” was the clear favorite.  Perhaps added fuel to the film’s Oscar fire.  Lone director nomination?  Hmmm…

    Best Picture
    “Waltz with Bashir”

    Best Director
    Mike Leigh, “Happy-Go-Lucky”

    Best Actor
    Sean Penn, “Milk”

    Best Actress
    Sally Hawkins, “Happy-Go-Lucky”

    Best Supporting Actor
    Eddie Marsan, “Happy-Go-Lucky”

    Best Supporting Actress
    Hanna Schygulla, “The Edge of Heaven”

    Best Screenplay
    “Happy-Go-Lucky”

    Best Cinematography
    “Slumdog Millionaire”

    Best Non-Fiction Film
    “Man on Wire”

    Best Experimental Film
    “Razzle Dazzle”