In Contention

Tag: The Invention of Hugo Cabret

  • Ebert versus the third dimension

    By now, you may have read Roger Ebert’s lengthy nine-point diatribe against 3D in Newsweek — it has certainly generated a substantial amount of online conversation in the last few days.

    On the face of it, as a declared 3D agnostic myself, I should be pleased with the article: when a “Clash of the Titans” proves the technology a potential artistic liability as emphatically as “Avatar” suggests the opposite, 3D needs to be both argued for and argued with.

    I fear Ebert, however, has slightly let the opposing side down: his piece is impassioned and sincere, but for every viable point he makes — and there are several — there’s another that is short-sighted, obstinate or just tautological: however much you may agree, it’s difficult to accept “it adds nothing to the experience” and “it’s a waste of a dimension” as separate claims in a serious argument, as opposed to simple whining.

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  • Scorsese and Herzog venture into 3D

    If you can’t fix it, you’ve got to stand it. And so it is, apparently, with me and 3D.

    As I’ve written before, I’m not a big fan of Hollywood’s favorite rediscovered gimmick. As a gee-whiz novelty — expertly embellishing the odd genuine event film like “Avatar” — it works a treat. As a now-regular moviegoing ritual — awkwardly grafted onto dreary blockbusters like “Clash of the Titans” and “Alice in Wonderland,” making them even more invasive and exhausting than they need to be — it’s rapidly becoming an irritant. And until some genius fashions 3D glasses that can fit comfortably over an existing pair of spectacles, I’ll remain hostile.

    Clearly, however, I’m going to have to find a way to love the third dimension, as it continues to seep outside the effects-driven blockbuster box, and even into the arthouse. The gentrification, if you will, of 3D took a forward leap this week with the news that both Martin Scorsese and Werner Herzog will be shooting their next projects in 3D.

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