In Contention

Tag: The Polar Express

  • Forget Best Supporting Actor — it’s time to honor Andy Serkis’ “Special Achievement”

    There has been a lot of talk this week about Andy Serkis’ stirring performance-capture portrayal of ape rebellion leader Caesar in “Rise of the Planet of the Apes.” In many quarters, writers are calling for consideration in the Best Supporting Actor category. It’s a song and dance Serkis and those of us who follow the film awards season have heard before, but I wonder if it’s the wrong approach.

    It’s important to face facts if you want Oscar recognition for Serkis. The Academy — an actor-dominated body — is not ready to hail performance-capture outside of the effects arena. Period. Two years ago, “Avatar” showed us that there was fear there when it missed out on a Best Picture win. It was admittedly one of a handful of issues that served as a stumbling block, but the sense (amplified by competing Oscar campaigns) was that a quickly advancing technique could one day render actors obsolete. Yes, it was a ridiculous fear, but it was a fear nonetheless. And for some, I’m sure it still is.

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  • TECH SUPPORT: Best Original Score — Volume I

    The Princess and the FrogAs long as humanity has been recording history, music has been immensely important in society. Not only can it be joyous and entertaining, but it can capture the mood and feel of a time and a place. Cinema has been no exception in this regard.

    The creation of original music for a film is awarded by the Academy in the Best Original Score category. The composer has one of the most difficult and lonely jobs in filmmaking. Almost always arriving at the end of the editing stage, he or she has to fashion music appropriate to the mood of a film.  But when a composer does a magnificent job, the result can be iconic.

    This category tends to awards its favorites. It is notoriously one of AMPAS’s most insular branches (though it has warmed up to newbies slightly in recent years). It also tends to award music that features prominently in the films.  From this vantage point, however, it is always hard to guess which films will find themselves in contention, largely because we have not heard the scores.

    An exception in this regard is Michael Giacchino’s work on Pixar’s “Up.” Giacchino, who was nominated two years ago for “Ratatouille,” has once again composed a soundtrack which can be sad, joyous and suspenseful. The film is likely headed towards a Best Picture nomination, and I suspect a citation here will follow.

    Another animated film which may very well end up in contention is “The Princess and the Frog.” The music is being handled by Randy Newman, clearly beloved by the music branch. I remain skeptical of how this film will be received and, in any event, think that Best Original Song may be the more likely spot to consider for this film. However, Newman’s name means a lot and there are few other favorites in the running this year.

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  • ‘A Christmas Carol’ poster

    I was a big fan of Robert Zemeckis’s “The Polar Express” in 2004, but “2007’s “Beowulf” didn’t work for me very much.  I had some major issues with the way 3D was used in the film.  But I’ve been very excited for “A Christmas Carol” ever since the project was announced.

    I’ve stood on the sidelines and watched Jim Carrey’s career spiral out of control in the wake of his career-best performance in “Eternal Sunshine of the Spotless Mind.”  2005’s “Fun with Dick and Jane” and last year’s “Yes Man” are just incredibly impotent comedies that didn”t give Carrey, a bona fide star, the chance to shine.  “The Number 23,” meanwhile — well, just don’t get me started on that unfortunate project.  It’s all very sad.  Maybe this film will light up his career once again.

    The poster for “A Cristmas Carol” has finally hit, and I expect it to be the first of many (since Carrey will be taking on four characters in the film — great opportunity for marketing).  Take a look:

    A Christmas Carol