In Contention

Tag: The Spirit of the Beehive

  • Guardian does the ‘all-time greatest’ meme

    Ah, lists. The gift that keeps giving — particularly in the world of film blogging, where they provide snappy short-form content, invite numerous comments and generate multiple hits when spread across a zillion pages.

    Last year’s flood of end-of-decade countdowns surely satisfied even the most ardent list fanatic for a good few months, but with no such milestone to mark this year, The Guardian has returned to an old chestnut: the greatest films of all time.

    The gimmick they’ve used for the project (the results of which have been unfolding on their website over the past week) is to subdivide the larger collective according to genre: the 25 best comedies, romances, action films, and so on. As if any all-time best isn’t prone to enough criticism, this doubles the opportunities for debate: now we can kvetch not only about the films that made the cut (or didn’t), but whether they’ve even been categorized correctly.

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  • Films for the future

    To commemorate their 75th anniversary, the British Film Institute has launched a nice little project called “Visions for the Future.” They’ve selected 75 figures from the world of film — actors, filmmakers, critics and other industry pros — and invited them to name one film they would choose to share with future generations, as well as asking for their thoughts on the future of the medium.

    The results — mainly in the form of video interviews — are really rather insightful. Obvious (albeit worthy) choices abound, from “The Wizard of Oz” to “The Third Man” to “Tokyo Story.”

    But there are a number of interesting left turns. As if there weren’t enough reasons to like her already, Cate Blanchett proves her taste and intelligence by picking Andrei Tarkovsky’s mind-blowing “Stalker,” though she admits it took her three days to get through it. (Her choice also gives me a nice excuse to post one of the most beautiful posters of all time as an illustration.)

    My favourite choice, however, is that of the brilliant playwright and screenwriter Patrick Marber — Powell and Pressburger’s “The Red Shoes,” a twisted, romantic and visually breathtaking fairytale that he economically describes as being “about wanting things too much and not getting them.”

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