“Lincoln” has picked up a third Best Picture critics prize, landing the Iowa Film Critics Association award for the year’s best film. Steven Spielberg, Daniel Day-Lewis and Tommy Lee Jones were also singled out for the biopic, while Jessica Chastain (“Zero Dark Thirty”) and Anne Hathaway (Les Misérables”) rounded out the acting honors.
'Lincoln' wins with Iowa critics
Posted by Kristopher Tapley · 9:03 am · January 9th, 2013
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The winners and losers from today's BAFTA nominations
Posted by Guy Lodge · 2:43 am · January 9th, 2013
Affleck is celebrating, Hooper and Spielberg not so much
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What will BAFTA add to the conversation?
Posted by Guy Lodge · 3:53 pm · January 8th, 2013
The British Academy announces its nominations tomorrow morning.
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Off the Carpet: All bets are off
Posted by Kristopher Tapley · 4:54 am · January 8th, 2013
This year is all over the place, so let’s be bold, shall we?
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Roundup: Is the foreign-language category still broken?
Posted by Guy Lodge · 4:15 am · January 7th, 2013
Also: Haneke out of home awards, and an Oscar for the director of ‘Contraband?’
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'Amour' wins top honors from National Society of Film Critics
Posted by Guy Lodge · 12:17 pm · January 5th, 2013
Michael Haneke’s film also takes Best Director and Actress.
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Previewing the WGA Award nominees
Posted by Guy Lodge · 6:15 pm · January 2nd, 2013
Don’t expect the Academy to mirror them too closely.
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2012: the year in superlatives
Posted by Kristopher Tapley · 8:28 am · December 31st, 2012
Awarding the best in Oscar’s categories and ours.
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Roundup: Why both sides are right (or wrong) in the 'Zero Dark Thirty' debate
Posted by Guy Lodge · 4:00 am · December 31st, 2012
Also: NYT Oscar ballots, and how many votes do you need for a nomination?
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Kudos for 'Farewell My Queen,' 'Holy Motors,' 'Amour' on French awards circuit
Posted by Guy Lodge · 5:32 pm · December 28th, 2012
‘Queen’ a surprise winner of the country’s most prestigious film award.
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A closer look at Oscar's foreign-language shortlist
Posted by Guy Lodge · 1:10 pm · December 22nd, 2012
There are relatively few surprises in a strong slate of contenders.
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Dublin critics award Haneke, Phoenix, Riva and…'The Artist?'
Posted by Kristopher Tapley · 9:22 am · December 21st, 2012
If you thought we had escaped the year of “The Artist,” you were wrong. The Dublin Film Critics Circle has chosen Michel Hazanavicius’s Best Picture winner as the year’s best film, as it opened on those shores in 2012. It joins Michael Haneke, Joaquin Phoenix, Emmanuelle Riva and more for top honors this year.
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Nine foreign language finalists announced by Academy
Posted by Kristopher Tapley · 6:51 am · December 21st, 2012
The Academy has announced the nine finalists for this year’s Best Foreign Language Film Oscar. Seventy-one films were submitted from countries around the world.
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'Lincoln' finally wins a critics award for Best Picture, from Dallas-Ft. Worth
Posted by Kristopher Tapley · 7:26 am · December 18th, 2012
After sitting idly by and watching films like “Zero Dark Thirty” and “Argo” reap most of the critics’ Best Picture awards, Steven Spielberg’s “Lincoln” finally has one of its own, from the Dallas-Ft. Worth Film Critics Association. The film won Best Actor, Best Supporting Actor and Best Supporting Actress in addition to Best Picture, but fell to Kathryn Bigelow in the Best Director category.
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'Amour' and 'The Master' lead London Critics' Circle nominations
Posted by Guy Lodge · 6:15 am · December 18th, 2012
‘Beasts,’ ‘Pi’ fend off ‘Lincoln,’ ‘Zero Dark Thirty’ in Film of the Year field
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Roundup: The adaptations that filmed the 'unfilmable'
Posted by Guy Lodge · 2:20 am · December 18th, 2012
Also: A.O. Scott declares ‘Amour,’ and Jeunet’s ‘Life of Pi’
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From 'A(mour)' to 'Z(ero Dark Thirty)': the best films of 2012
Posted by Kristopher Tapley · 6:56 am · December 17th, 2012
It’s been said here and in the podcast a number of times, but I might as well offer it up once more for good measure: 2012 was a pretty good year for movies.
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Off the Carpet: Ballots are out
Posted by Kristopher Tapley · 6:00 am · December 17th, 2012
Normally this column would begin with something like, “Ballots have been mailed to Oscar voters today,” but that begs reminding that for the first time ever, the Academy has adopted an electronic voting system in addition to paper ballots (for those who request them). How will that change the course of the season? Is chatter about glitches and lack of understanding just a facile talking point blown out of proportion? Maybe. But what is tangible in all of this is the landscape as a result of the first major nominations announcements of the season.
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