It’s fitting that Nora Ephron’s swan song, the play “Lucky Guy,” calls the Broadhurst Theatre on West 44th Street home. The venue sits around the corner from the old New York Times Building that housed the operations of the Gray Lady for 94 years. And Ephron’s play, while an account of the rise, fall and vindication of New York journalist Mike McAlary, is just as much a celebration of the profession the author, filmmaker and playwright once called her own.

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