In this week’s special edition podcast Kris and Anne are joined by Guy Lodge for a lengthy discussion of the 2012 Cannes Film Festival.
Oscar Talk: Ep. 85 — Special Edition! — Cannes 2012 dispatch
Posted by Kristopher Tapley · 5:05 pm · May 25th, 2012
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Queuin' in the rain: Cannes 2012 hits the halfway mark
Posted by Guy Lodge · 5:43 pm · May 21st, 2012
As rainclouds continue to gather over Cannes, Michael Haneke’s “Amour” is currently the toast of the festival.
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Take a 'Moonrise Kingdom' tour with Bill Murray
Posted by Kristopher Tapley · 11:39 am · May 21st, 2012
Focus Features has released a nifty little featurette with Bill Murray giving a tour of Wes Anderson’s latest film throughout a few of its various sets. It’s a great opportunity for some wry Murray humor and to showcase the top-notch production design of the film.
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Review: Young love is a wispy business in 'Moonrise Kingdom'
Posted by Guy Lodge · 4:19 pm · May 16th, 2012
The Cannes Film Festival opener finds Wes Anderson on typically whimsical form — but is it enough?
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The house Wes Anderson built: A look at the director's singular troupe
Posted by Kristopher Tapley · 7:30 am · May 16th, 2012
Over the years, director Wes Anderson has established an impressive stable of acting talent, a dedicated troupe of personnel that can slip right into his singular world with ease.
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Cannes Check: Wes Anderson's 'Moonrise Kingdom'
Posted by Guy Lodge · 8:58 am · April 20th, 2012
We kick off our daily series of Cannes Competition previews with a look at the festival opener.
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Cannes lineup heavy on U.S. fare as Twi-hards prepare to mob fest
Posted by Guy Lodge · 2:39 am · April 19th, 2012
Amid the usual Cannes elite like Michael Haneke and Ken Loach, Robert Pattison and Kristen Stewart are also set to hit the Croisette with new films in Competition.
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Wes Anderson's 'Moonrise Kingdom' to open Cannes
Posted by Guy Lodge · 1:19 am · March 9th, 2012
Cannes curtain-raisers are disappointments more often than not, but Wes Anderson’s latest ensemble piece will be hoping to follow the trajectory of “Midnight in Paris.”
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