The Black Film Critics Circle has jumped on the “Zero Dark Thirty” bandwagon, handing the film Best Picture, Best Director and Best Actress honors. “Django Unchained” and “Lincoln” each won a pair of awards, Best Original Screenplay and Best Supporting Actor (Christoph Waltz) for the former, Best Actor (Daniel Day-Lewis) and Best Ensemble for the former.
Black Film Critics Circle springs for 'Zero Dark Thirty,' 'The Intouchables,' 'Rise of the Guardians'
Posted by Kristopher Tapley · 2:18 pm · December 20th, 2012
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'Zero Dark Thirty' tops New York Film Critics Online winners
Posted by Kristopher Tapley · 12:09 pm · December 9th, 2012
Just minutes after the Boston Society of Film Critics crowned “Zero Dark Thirty” the year’s best film, the New York Film Critics Online went and did the very same thing. They also spotlighted Kathryn Bigelow in the Best Director category (as well as Mark Boal’s screenplay), and, like Boston, went with Daniel Day-Lewis and Emmanuelle Riva in the lead acting categories.
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'Central Park Five,' 'Queen of Versailles,' 'West of Memphis' shafted by Academy's doc branch
Posted by Kristopher Tapley · 12:29 pm · December 3rd, 2012
15 titles proceed in a competitive year for the category.
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Oscar Talk: Ep. 97 — 'Les Misérables' and 'Zero Dark Thirty' enter the season
Posted by Kristopher Tapley · 8:00 am · November 30th, 2012
In this week’s podcast, Kris and Anne speak up on two of the season’s most anticipated entries, “Les Miserables” and “Zero Dark Thirty,” mull over the implications of the Gothams and Spirits and chew on the Best Documentary Feature category.
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Roundup: What great genre-film performances deserve some love this year?
Posted by Guy Lodge · 5:54 am · November 19th, 2012
Also: Playing down the ‘Skyfall’ Oscar buzz, and a look at the doc feature race
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Interview: Ken Burns on 'The Central Park Five' and the thriving state of documentary filmmaking
Posted by Kristopher Tapley · 12:54 pm · November 7th, 2012
Legendary documentarian Ken Burns wants to make sure the spotlight isn’t too focused on him this time around.
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Oscar Talk: Ep. 93 — 'Cloud Atlas' opens as the Wachowskis make the rare press rounds
Posted by Kristopher Tapley · 7:00 am · October 26th, 2012
In this week’s podcast, Kris and Anne discuss the weekend’s big opener, “Cloud Atlas,” the International Documentary Association nominees and the screenplay categories.
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Wrapping up the 39th annual Telluride Film Festival
Posted by Kristopher Tapley · 8:23 am · September 3rd, 2012
Things are pretty much wrapping up at the 39th annual. Monday is generally a great time for catch-up, as the schedule is filled in with repeat showings. Unfortunately, I tend to leave on Monday afternoon each year, so I don’t get to use the day productively. But nine-and-a-half movies over the three-day spread is good enough for me. (I won’t knock the movie I walked out of. I’ll come back to it at some point, as it’s generated interesting split reactions.)
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'Central Park Five' is a crushing indictment of mob mentality and miscarried justice
Posted by Kristopher Tapley · 10:59 am · September 1st, 2012
“I hope this film makes you angry,” filmmaker Sarah Burns said by way of introduction to this morning’s screening of “The Central Park Five.” She co-directed the film with her father, Ken Burns (a Telluride staple — as is Sarah: this is her 20th fest) and husband David McMahon. And angry is a good way to put it.
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'Frances Ha,' 'Hyde Park on Hudson' and more set for 39th Telluride Film Festival
Posted by Kristopher Tapley · 9:47 am · August 30th, 2012
I’ve just landed at the airport and gotten a look at the fresh-off-the-presses release announcing the line-up for the 39th annual Telluride Film Festival. As I await the shuttle into Telluride for my fourth-straight SHOW, and as many of my Los Angeles brethren board the charter flight into Montrose here, let’s dig in and see what’s in store.
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New Ken Burns doc to screen in theaters for the first time in 27 years
Posted by Roth Cornet · 10:34 am · April 25th, 2012
The wrongful conviction case that five teenagers imprisoned for the rape of a central park jogger is the subject of the first theatrical release from documentation Ken Burns in 27 years.
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