This year’s list of International Film Music Critics Association nominees was predictably dominated by John Williams, who landed seven nominations across the various categories for his two Oscar-nominated scores: “The Adventures of Tintin” and “War Horse.” Not too far back with five nods was “The Artist” composer Ludovic Bource.
John Williams, Michael Giacchino, Chemical Brothers nominated by film music critics
Posted by Kristopher Tapley · 7:37 am · February 10th, 2012
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From 'Jaws' to 'Star Wars,' 'Raiders' to 'Tintin': John Williams celebrates his 80th birthday
Posted by Roth Cornet · 7:16 pm · February 8th, 2012
In celebration of his 80th birthday, we look at some of composer John Williams’s most indelible and iconic cinematic scores, including, “Star Wars, “Jaws,” “Harry Potter” and “E.T.”
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Oscar Guide 2011: Best Sound Mixing
Posted by Guy Lodge · 6:30 am · February 8th, 2012
This is one of the year’s hardest technical categories to predict, largely because the Academy’s sound branch agreed with the Cinema Audio Society on only two nominees. We size up who might win, and who should.
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Round-up: Does Weinstein's Streep ad toe the line… or cross it?
Posted by Guy Lodge · 6:00 am · February 8th, 2012
Also: Daniel Radcliffe on Oscar snobbery, and the case for Viola Davis
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Oscar Guide 2011: Best Music (Original Score)
Posted by gerardkennedy · 8:17 am · February 7th, 2012
While the music branch’s choices (or lack thereof) in Best Original Song could be considered shocking, the opposite was true about their final five in Best Original Score. Three of the titles are Best Picture nominees, the branch’s favorite composer of all time is double-nominated yet again and all but one of the finalists have been nominated previously.
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Oscar Guide 2011: Best Cinematography
Posted by Guy Lodge · 12:53 pm · January 26th, 2012
The cinematographers’ branch didn’t search far and wide for contenders in this category, settling on four Best Picture nominees, as well as four previously nominated DPs — in keeping with this year’s unofficial theme of sticking with the familiar.
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The Long Shot: Fade away and radiate
Posted by Guy Lodge · 1:50 pm · January 25th, 2012
This year’s Oscar nominations were not only kind to Hollywood’s old guard, but a number of films with their eye on the rear-view mirror.
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Everything old is new again, and again
Posted by Roth Cornet · 11:23 am · January 25th, 2012
Where is the line between manipulative and evocative, referential and derivative, or tributary and outright plagiaristic in the use of borrowed scores and imagery in cinema?
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Oscar Guide 2011: Best Art Direction
Posted by Kristopher Tapley · 10:09 am · January 25th, 2012
The art directors ended up with a slate packed with Best Picture-contending films this year, the one outlier being the closing installment of a franchise that has been a perennial fixture of the category. Nostalgia rules the field, reflective of the thematic undercurrent at play throughout the season.
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Stuck in the middle with you: thoughts on the Oscar nominations
Posted by Guy Lodge · 2:28 pm · January 24th, 2012
If it’s hard to settle on one emotional response to this year’s Academy Award nominations, that could be the result of the Academy’s own split instincts.
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Tech Support: 'The Artist,' 'Hugo,' 'Dragon Tattoo' and 'War Horse' feature heavily in Oscar's crafts categories
Posted by gerardkennedy · 1:12 pm · January 24th, 2012
This morning, many crafts artists in Hollywood (and elsewhere in the world) found out that they are heading to the Kodak Theatre for the 84th Annual Academy Awards. The thrill they are experiencing must be difficult to describe.
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Oscar Talk: Ep. 79 — Special Edition! — Thoughts on the the 2011 Oscar nominations
Posted by Kristopher Tapley · 12:14 pm · January 24th, 2012
In this week’s podcast Kris and Anne are joined by Guy Lodge to discuss this morning’s Oscar nominations and offer up predictions in each category.
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The Lists: Top 10 things we learned about the Academy today
Posted by Kristopher Tapley · 9:13 am · January 24th, 2012
It’s been a busy morning. The nominees are out. About a thousand different variations of “it’s humbling and exciting” are coming through from the various contenders. And all eyes are fixing on February 26. But as we transition into phase two of the 2011-2012 film awards season, it’s worth it to pause and consider what we might have learned today.
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'Hugo' leads with 11 Oscar nominations, 'War Horse' in, 'Dragon Tattoo' out
Posted by Kristopher Tapley · 4:15 am · January 24th, 2012
The nominees are in and the surprises are few and far between, in my opinion (though others seem to be picking their jaws up off the floor this morning). As indicated yesterday, “Extremely Loud & Incredibly Close” caught fire with voters down the stretch and was very much on their lips. The film turned up in the nine-film Best Picture category today, despite being critically disassembled, and that was pretty much the only eyebrow-raiser of the major categories. The film only showed up in one other category: Best Supporting Actor for Max von Sydow.
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Off the Carpet: Pencils down
Posted by Kristopher Tapley · 10:31 am · January 23rd, 2012
Declaring final predictions in all categories.
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Round-up: 'Twas the night before Oscar noms
Posted by Guy Lodge · 8:51 am · January 23rd, 2012
Also: Spike Lee’s Sundance protest, and the craftwork of ‘Drive’
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'Super 8' leads the way with Motion Picture Sound Editors nominees
Posted by Kristopher Tapley · 8:13 am · January 20th, 2012
The Motion Picture Sound Editors (MPSE) used to announce its list of nominees after the Oscars did, meaning the Best Sound Editing category was the one field without much in the way of precursor clues for predicting. That changed recently and now we can get an idea of where the sound branch might lean in the field.
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Tech Support: Wrapping up guesses throughout the Academy's craft categories
Posted by gerardkennedy · 1:31 pm · January 19th, 2012
Rounding out my picks in the Academy’s crafts branches, from Best Music to Best Visual Effects.
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