David Mamet’s “Redbelt” is releasing soon, though I just realized I haven’t made it to any of the film’s screenings this past month. I love Mamet, even when he fails. But I’m not hearing good things on that film.
Anyway, I came across an interesting piece at Film Stew this evening that cornered the esteemed playwright and filmmaker with that most difficult of queries: Who is the greatest actor ever?
This is the sort of thing that could change with the wind, of course, and any given person is sure to bounce a number of names around his or her head when it comes down to it. In most cases, you might expect some rote answer. Who can’t steer clear of the Pacinos, the De Niros, the Brandos and the Nicholsons?
I was happy, and not the least it surprised, to see Mamet hang it out there for a unique choice. His pick: Henry Fonda.
I have to say, I can run with that. I sometimes forget that two Henry Fonda films rest easy in my top five films of all time (“12 Angry Men” and “Once Upon a Time in the West”). I’d buy a “Vote for Juror #8” shirt if they made one. His career spanned decades and genres with ease as he tackled portrayals of villains and heroes with equal aplomb.
I’m always reminded of the classic Sergio Leone story when it comes to Fonda. Leone, of course, cast Fonda in “Once Upon a Time in the West” as the lawless Frank, a character (and film, in fat) from which Martin Scorsese would borrow greatly when conceiving “Gangs of New York.” Here was America’s golden god of the screen, Henry Fonda, the quintessential good guy — and he was about to portray a guy who’d shoot a child without blinking…and in the first reel!
Fonda shows up to set looking like, well, a haggard, ruthless villain. Hadn’t shaved, de-glammed to the max, ready to tackle the antagonist for once. Leone was beside himself. “I didn’t hire you to hide behind a beard,” the director said (and of course, I’m paraphrasing). “I hired Henry Fonda and that’s what I want.” Leone was well aware of the impact a sculpted, shaved, blue-eyed angel like Fonda would make as he tore through the narrative in such a despicable role.
And boy was he right:
httpv://youtube.com/watch?v=WgKsMolvDLw
Quite an inspired choice by Mr. Mamet. It’s a shame Fonda only walked away with a solitary competitive Oscar for one of his lesser (if still wonderful) portrayals. But ain’t it always the case?
By the way, if you’ve never flipped through Mamet’s guide for actors, “True and False,” I encourage you to do so.
