In Contention

Tag: Black Swan

  • WTF with the giant fireball thing??

    With “The Social Network” picking up yet another award last week (for Best in Show at the Golden Trailer Awards), Ryan Adams at Awards Daily asked for personal picks for favorite trailers.

    There are a number that spring to mind for me. I maintain that the first “Pearl Harbor” trailer (link), with the score from “The Thin Red Line,” was absolutely masterful. The “Alien” trailer (link) is in many ways more unsettling than the actual film, while just two years ago, whoever pieced together the tease for the Coens’ “A Serious Man” (link) knew what was up.

    Even more recently, the trailers for “Black Swan” (link) and David Fincher’s “The Girl with the Dragon Tattoo” (link) dazzled, while the “Tinker, Tailor, Soldier, Spy” trailer that dropped last week reminded me of how tightly constructed the one for “A Single Man” (link) was. But the truth is, when I think of movie trailers and their power to seize your attention, I’m taken back some 15 years to a sci-fi film and a tease that had me more intrigued than whatever film I was about to watch. And it contains the single greatest image ever used to sell a film, in my opinion (the final shot). Since it ties in nicely today, I figure I’ll offer it up after the jump.

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  • The In Contention Readership Ballot

    Today’s the big day. No more Oscar Guide, no more polls, just a few choice hours left in the season and then, the 83rd annual. (And not a moment too soon.)

    I appreciate everyone participating in the daily polls this month and last, which accompanied each of our Oscar Guide entries. It offers us a nice glance at the majority opinion of how the race SHOULD go down, so I’m happy to offer up, for the second-straight year, the In Contention Readership Ballot.

    There were a handful of frisky choices this year, though not too many. Your big winners were Christopher Nolan’s “Inception” and David Fincher’s “The Social Network” (which is owed Best Picture by your estimation).  Both films racked up five of your wins.  Nothing else was close. And, interestingly enough, the film likely to walk away with the most awards tonight? It only deserves one prize in your book: Best Actor.

    Check out the ballot after the jump, and good luck to your favorites tonight.

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  • Big night for ‘Black Swan’ at Spirit Awards

    Kris was on the scene at the Independent Spirit Awards today, and will, I’m sure, have some first-hand commentary to add later. For now, let me lead the cheers for “Black Swan,” which finally had its moment in the sun this awards season.

    Two years after its sort-of-sibling “The Wrestler” nabbed the top prize, the surprise crossover hit took four awards, including Best Feature and Best Director for Darren Aronofsky — the third Spirit win of his career, though his first for directing.

    The only other multiple winner of the ceremony was fellow Best Picture Oscar nominee “Winter’s Bone,” which took a well-deserved brace of supporting trophies for John Hawkes and Dale Dickey — the film’s only reward for a field-leading haul of seven nominations. “Exit Through the Gift Shop,” meanwhile, was a popular victor in the Best Documentary category.

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  • OSCAR GUIDE: Best Picture

    And so we come to the end of this year’s Oscar Guide, and the category that has been the cause of more conversation than ever this year: Best Picture. And that can’t be overstated. I can’t recall the last time the debate around a Best Picture winner was so heated, and I’m tempted to say it was, in some way, good for us all.

    There was a lot of passion around favorites this season. A LOT. In some cases, it might even be considered oppressive passion, but it’s worth it to have such strong opinions about the films we love. We may choose to convey those opinions in different ways, modest or broad, but that the pulse of film adoration is this strong at a key moment in the medium’s progression is, indeed, heartening.

    The nominees are:

    “Black Swan” (Mike Medavoy, Brian Oliver and Scott Franklin)
    “The Fighter” (David Hoberman, Todd Lieberman and Mark Wahlberg)
    “Inception” (Emma Thomas and Christopher Nolan)
    “The Kids Are All Right” (Gary Gilbert, Jeffrey Levy-Hinte and Celine Rattray)
    “The King’s Speech” (Iain Canning, Emile Sherman and Gareth Unwin)
    “127 Hours” (Christian Colson, Danny Boyle and John Smithson)
    “The Social Network” (Scott Rudin, Dana Brunetti, Michael De Luca and Ceán Chaffin)
    “Toy Story 3” (Darla K. Anderson)
    “True Grit” (Scott Rudin, Ethan Coen and Joel Coen)
    “Winter’s Bone” (Anne Rosellini and Alix Madigan-Yorkin)

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  • OSCAR GUIDE: Best Directing

    Coming down to the wire, the race for Best Directing remains a very close one. Earlier in the year the prevailing wisdom was that a split could be in the cards, with the Oscar-bait frontrunner more likely to win Best Picture and the zeitgeisty competition likely to see its talented helmer finally noticed.

    Then things changed a bit, with the zeitgeisty choice pulling ahead as a Best Picture possibility, which left supporters feeling even more strongly that its director would find himself in the winner’s circle. At the end of the season, we’re back to that original thought process in some quarters, while in others, the anticipation of Oscar bait going hand-in-hand is taking hold.

    The nominees are:

    “Black Swan” (Darren Aronofsky)
    “The Fighter” (David O. Russell)
    “The King’s Speech” (Tom Hooper)
    “The Social Network” (David Fincher)
    “True Grit” (Ethan Coen, Joel Coen)

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  • 2/25 OSCARWEB ROUND-UP: Carter keeps the season interesting, Gervais’s suggestion, Portman overrated?

    • 10 great things Helena Bonham Carter has done or said to spice up this year’s Oscar race. [Vulture]

    • Ricky Gervais humbly suggests an opening monologue for Oscar hosts James Franco and Anne Hathaway. [RickyGervais.com]

    • TCM’s Robert Osborne (my sole company on predicting “Letters from Iwo Jima” four years ago) on Oscar campaigns. [Wall Street Journal]

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  • TECH SUPPORT: Final analysis, part one

    So this is it. Over the last seven-plus months here at Tech Support, we have tried to illuminate and analyze the craft races as they unfolded. On Sunday, the winners will be revealed, ushering some new faces into Oscar’s club.  And indeed, I expect the vast majority of the winners to make their first trip to the podium.

    I’ll be breaking down each field in a two-parter.  Check back tomorrow for the final five categories, but for now…

    Best Art Direction

    As is the case in many categories, “The King’s Speech” is, to me, the safe bet for the win here. A royal period piece and likely Best Picture winner would be difficult to beat in any year. But in all fairness, this is in many ways not a typical “royal” winner in a category where style triumphs over substance.

    Production Designer Eve Stewart (11 years after her first nomination for “Topsy-Turvy”), along with set decorator Judy Farr, immaculately filled many of the film’s sets (despite late-breaking news of one location) with intimate details that feel very much in tune with the characters. A guild win also shows industry support.

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  • OSCAR GUIDE: Best Actress

    Early in the season the lead actress category appeared to be more competitive than ever. An easy list of 10 contenders could be drawn up, many of them admittedly sight unseen, and it was anyone’s guess as to which lady could insinuate herself as the odds-on favorite to win.

    Then the critics began narrowing things down, while certain films began to underwhelm and fall to the wayside. With them went a few of those potential contenders. The critics also began to mold a frontrunner, one who would eventually prove to have the vote of the industry before having that status challenged in the final lap. Indeed, it’s been a wild ride for Best Actress.

    The nominees are:

    Annette Bening, “The Kids Are All Right”
    Nicole Kidman, “Rabbit Hole”
    Jennifer Lawrence, “Winter’s Bone”
    Natalie Portman, “Black Swan”
    Michelle Williams, “Blue Valentine”

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  • The top 10 shots of 2010: part two

    In case you missed part one of this year’s top shots column, be sure to catch up before digging into the final five selections today.

    As I mentioned yesterday, it wasn’t exactly a banner year for singular images from films in 2010. And that’s certainly not a crime. But more to the point, what I learned as I set about writing this piece was how deeply my personal experience of the year was reflected in my ultimate selections. It may have been tough to find what felt right for the list, but in some ways, the intensity of that digging ultimately illuminated the year’s work for me all the more.

    How can I not be grateful for that? In the final analysis, perhaps a year that isn’t so obvious, without such a bevy of possibilities for this collective, yields a more measured and perhaps passionate consideration of the year in visual storytelling. Not to be highfalutin.  Anyway, I hope you enjoy the conclusion. Let’s dive in…

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  • OSCAR GUIDE: Best Film Editing

    I’m afraid you’ll find that I’m having trouble getting all that excited about this year’s race for Best Film Editing. How can I when the absolute best editing job of the year (from a true master, no less) was shunned altogether, while a cruel joke was played in the form of “Inception” editor Lee Smith getting the shaft, too.

    The below is a decent set of contenders with an array of virtues. It’s just a shame that the editor’s branch is so slavishly devoted to Best Picture frontrunners, especially when truly exceptional work that doesn’t necessarily find itself dovetailing with Oscar bait is ignored each and every year. Nevertheless, the statistic remains: in 30 years, no film not nominated here has gone on to win Best Picture.

    The nominees are:

    “Black Swan” (Andrew Weisblum)
    “The Fighter” (Pamela Martin)
    “The King’s Speech” (Tariq Anwar)
    “127 Hours” (Jon Harris)
    “The Social Network” (Angus Wall and Kirk Baxter)

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  • BOX OFFICE: ‘Swan,’ ‘Speech’ cross $100 million

    The headline says it all. The two films join “Toy Story 3,” “Inception” and “True Grit” as the only Best Picture nominees to reach that mark this year. “The Fighter” has slowed too much to get there and a re-release of “The Social Network” didn’t go as well as planned in that regard.

    (Courtesy: Exhibitor Relations)

  • Natalie Portman training for ‘Black Swan’

    This video has been making the rounds this week.  I keep forgetting to pass it along:

  • 2/16 OSCARWEB ROUND-UP: Oscars invade Grand Central, details on Oscarcast opening number, Gurus’ final picks

    • Wes Anderson talks editing “Black Swan” with Andrew Weisblum. [Awards Campaign]

    • Oscars invade New York’s Grand Central terminal. [Oscars.org]

    • Mandi Bierly gets a few Oscarcast details on the Franco-Hathaway chemistry and the opening number. [Inside Movies]

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  • OSCAR GUIDE: Best Cinematography

    The American Society of Cinematographers (ASC) dished out its annual kudos this weekend, which makes for a nice segue into a discussion of the year’s nominees for Best Cinematography. But it’s important to keep a few things in mind when it comes to guessing what the Academy at large will spring for in this field.

    First and foremost, technical accomplishment doesn’t get you far with a number of people who don’t really understand what kind of a feat, say, “Children of Men” is. Or “Black Hawk Down,” for another example. It’s all about what looks like a post card, because “cinematography” so quickly translates to “prettiest movie” for a great many voters, unfortunately.

    The nominees are:

    “Black Swan” (Matthew Libatique)
    “Inception” (Wally Pfister)
    “The King’s Speech” (Danny Cohen)
    “The Social Network” (Jeff Cronenweth)
    “True Grit” (Roger Deakins)

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  • 2/15 OSCARWEB ROUND-UP: Hooper’s conflicting BAFTA emotions, Rodarte on ‘Swan’ controversy, Whoopi is livid

    • Nick Davis’s actress digest moves to the lovely Jennifer Lawrence. [Nick’s Flick Picks]

    • Tom Hooper at the BAFTAs: The thrill of victory, the agony of defeat. [The Race]

    • David Poland talks to “Black Swan” costume co-designers Rodarte. [The Hot Blog]

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  • BOX OFFICE: Bieber fever

    All four at the top are new releases, but “Black Swan” will cross $100 million tomorrow or Tuesday, “The King’s Speech” will get there next weekend, and “True Grit” is at $160 million and climbing.

    (Courtesy: Exhibitor Relations)

  • Previewing BAFTA

    In the 10 years since they moved up in the calendar to pre-Oscar status, the BAFTAs have hovered uncertainly between complying with awards trends across the pond, thereby establishing themselves as a viable precursor, and stubbornly standing by their own – as in 2007, when they opted out of the Coen Brothers-P.T. Anderson faceoff by picking “Atonement,” despite the film’s only other award coming for Best Art Direction.

    This year, however, offers them the best of both worlds. Rewarding “The King’s Speech” will simultaneously allow them to co-sign a heavy Oscar favourite and preserve their national pride.

    Add in the fact that a vote for the film also represents a vote for the much-mourned UK Film Council – oh, and that it just happens to be a smash hit with British audiences – and the royal biopic would likely have been a lock for the top prize even without the support of major US guilds.

    (More, plus predictions, after the jump.)

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  • OSCAR TALK: Ep. 52 — Nominees Luncheon, Bening vs. Portman to a photo finish, WGA and Scripter awards, Melissa Leo’s personal campaign, BAFTA preview with Guy Lodge

    Oscar TalkWelcome to Oscar Talk.

    In case you’re new to the site and/or the podcast, Oscar Talk is a weekly kudocast, your one-stop awards chat shop between yours truly and Anne Thompson of Thompson on Hollywood. The podcast is weekly, every Friday throughout the season, charting the ups and downs of contenders along the way. Plenty of things change en route to Oscar’s stage and we’re here to address it all as it unfolds.

    Anne is calling from New York today, later on in the show we drop in on Guy in London and I’m in Los Angeles as always, so we’ve got quite the international episode for you today. And with plenty happening between last weekend and today, we’ve got tons to cover, so let’s see what’s on the docket today…

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