In Contention

Tag: The Expendables

  • Razzies aim typically low

    The Golden Raspberry (aka Razzie) Awards irritate me on an annual basis, largely because they’re such a joyless, unimaginative and, worst of all, cowardly execution of a neat idea: singling out the worst cinematic achievements of the year for a bit of a ribbing.

    Except they aren’t about genuinely failed artistry nearly as much as they are about piling on whichever easy celebrity targets happened to have a film out in the past 12 months. They’re intended as a bit of fun, obviously, but how fun is it really to beat up on tween idols like Miley Cyrus and the “Twilight” team? “The Expendables” isn’t that ineptly directed — but hey, it’s Sly, so it must be bad!

    Wouldn’t it be more subversive to aim at some higher targets who flubbed in 2010? (You’d think a “Worst Use of 3D” award would have been invented for “Alice in Wonderland,” but no — works from prestige directors are above the law here, apparently.)

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  • SUNDAY CENTS: Photo finish!

    *All historical figures cited are adjusted to today’s dollars.

    One last bit of excitement before the summer ends and Tapley starts posting random Redskins photos on Sundays. We have a dead heat race for the top spot at the box office, but estimates are handing the crown to “The Last Exorcism.” If it does, indeed, win the weekend, it will be the first time Lionsgate has had two consecutive number one films.

    The official estimate is $21.3 million, which puts it just a fraction behind the $23.1 million debut of “Exorcist: The Beginning” on this same weekend of 2004. It’s also a smidge behind the $24.5 mil debut of Lionsgate’s similar looking 2009 shocker, “The Haunting in Connecticut,” but let’s remember that this is a no budget endeavor with no recognizable actors that the studio had to market with smarts and Eli Roth’s name.

    Incidentally, they couldn’t use Roth’s name to market his own movie, “Hostel Part II,” to a debut past $9.5 million, but the man can’t win them all. Now we just sit back and wait for the inevitable porno knock-off called “The Last Circumcision.”

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  • FRIDAY FORECAST: End of the Road

    *All historical figures cited are adjusted to today’s dollars.

    It’s the last full weekend of the summer, the last weekend of me being 27, and the last weekend for Friday Forecast on InContention. A time of introspection. A time of reflection. A time of paying another $20 to see those blue things in 3D again. I can’t wait to not see it again… for the first time.

    The dog days of August are notoriously tough on the multiplex as kids start heading back to school so don’t expect any Oscar nominations for this week’s crop of films. Leading the pack is “The Last Exorcism” from Lionsgate. This could be the first time in that company’s history that one of its films takes the top spot away from another one of its films. A low budget faux-documentary, Lionsgate picked up distribution rights and has sold it fantastically with sharp trailers and posters.

    Exorcism is a foolproof box office meme, with Sony able to milk a $37.3 million debut for “The Exorcism of Emily Rose” in September 2005. That film had some movie stars and a true story hook, while Lionsgate is definitely no Sony, but we should still be looking at a strong opening for the film. Something like $18 million, but if Lionsgate can get some stories printed about audience members puking, then you can bump that up to $22 million.

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  • SUNDAY CENTS: Six Flags > Movies

    *All historical figures cited are adjusted to today’s dollars.

    Sorry this is checking in a little late today but I’ve been at Six Flags all day having the time of my life. I hadn’t been since they opened a crazy new ride called Tatsu and it kind of blew my mind, but the X will always be the best ‘coaster. In any case, some movies came out this weekend too and performed with varying degrees of success.

    The number one movie, again, is “The Expendables.” Stallone and his fellow band of ‘roid Rangers dropped 53% to $16.5 million but took advantage of a terrible weekend to notch a second frame at the summit. The last time Sly was in a film that spent two weeks at the top was in 1993, when Wesley Snipes was huge and an unknown Sandra Bullock and Jack Black lent support in “Demolition Man.”

    “Vampires Suck” confirmed the absence of any justice or God in the world by opening in second place with $12.2 million. $18.6 million has already been conned out of America since Wednesday and I’m pretty sure that’s ten times the total amount of my top 10 favorite films of last year combined.

    “Eat Pray Love” takes the bronze, dropping 48% to $12.0 million. Don’t be surprised if this is the real runner-up when actuals are released and even though that drop might seem harsh, “Julie & Julia” did almost exactly the same before leveling out and sticking around through early September.

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  • FRIDAY FORECAST: Stop giving Friedberg & Seltzer your money!

    *All historical figures cited are adjusted to today’s dollars.

    Alright guys. Enough is enough. The only thing less funny than a spoof movie made by Friedberg & Seltzer is the conceptual gag that America keeps playing where we ironically buy tickets to see them. Just to make fun of it, of course. Only problem is we’re giving them real money and they are super rich and successful, despite being the worst thing to happen to filmmaking since, well, ever.

    “Vampires Suck” leads a gaggle of new releases this week and it’s actually already been out since Wednesday. The beyond tired spoof racked up $6.4 million in two days and should be on course for another $14 or $15 million during the weekend. The last time these two got behind a camera was “Disaster Movie,” which epic failed at the end of summer 2008 and gave hope that these clowns would never work again. But that film was their only one released by Lionsgate, not Fox, and they didn’t know how to market the gold placed in their hands.

    Focusing on the biggest phenomenon in film isn’t a bad idea either to get back on track. Congratulations America. You’ve made a scene where something large falls out of the sky and lands on the Old Spice Guy on a horse a part of cinema box office history (note: I have not seen “Vampires Suck” but I’ll eat my hat if that scene isn’t in it).

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  • SUNDAY CENTS: AARP Action Squad!

    *All historical figures cited are adjusted to today’s dollars.

    The internet had been buzzing for weeks. Would the fact that he spent most of the decade in straight to video titles hurt his box office clout. Did Dolph Lundgren still have the box office muscle we all thought he had or did the lackluster performance of “Direct Contact”, “Hidden Agenda” and “The Mechanik” cause too much irreparable damage? We have our answer this weekend as “The Expendables” tops the chart with $35.0 million.

    Some had speculated that since Dolph hadn’t appeared in a single film that hit theaters since his role as “Street Preacher” in “Johnny Mnemonic” that nobody would care about him punching people in the face and killing them anymore. I’m sorry we ever doubted you Dolph. He is now solely responsible for the sixth biggest Lionsgate debut of all time (biggest non-Madea, non-“Saw”). Word of mouth is likely to be atrocious as it seems he wasn’t able to deliver on the early Oscar promise of the project. A steep drop awaits next week but maybe now the Lundgren haters will stay in their place.

    “Eat Pray Love” takes second place with $23.7 million. Readers suggested I went over the line making fun of this film and the women who might like it so I’ll let the numbers speak for themselves here.

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  • Tell us what you thought of ‘The Expendables’

    As Chad noted in this week’s Friday Forecast column, the film likely to own the weekend box office is “The Expendables,” from esteemed auteur Sylvester Stallone.  For me, this is the real capper of the summer movie months (haven’t seen it yet, as the reviews have taken that sting out a bit, but I will).  I’m eager to hear your thoughts though, so, you know the drill.

  • FRIDAY FORECAST: Nerdgasm!

    *All historical figures cited are adjusted to today’s dollars.

    If you are a nerd, this is the weekend for you. It doesn’t matter if you’re an action movie nerd, video game nerd or self-help nerd, Hollywood has you covered. All in all, it’s an abnormally stacked August weekend with three films that all have breakout potential and is especially baffling when you look at the shitshow of titles nobody cares about just seven days away.

    Of the three openers, Lionsgate is going the widest with “The Expendables.” First off, no matter what happens, this will be profitable for the studio since they just bought the distribution rights from Millennium Films, who actually financed the thing. Lionsgate pulled a similar move with “Rambo” and saw that film open with $20.1 million and tap out at $47.3 million. For an ultra-violent sequel to a franchise dead longer than most of our readers have been alive, all were pretty satisfied.

    Expectations are amped up for “The Expendables,” since a bunch of other old guys with muscles are in it. Count me among those not buying the hype that Steve Austin, Terry Crews and Dolph Lundgren add significant interest among any crowd of patrons. Cameos from Schwarzenegger and Bruce Willis have been shamefully advertised and that will dupe a few old timers into thinking there’s something special here, but that trio didn’t really help Planet Hollywood from epic failing. I think a strong Friday will lead to a $32 million weekend and it free falls from there.

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  • Can we ‘Eat’ yet?

    For a major star vehicle, directed by the current ruler of prime-time television, that is only four days away from release, shouldn’t the profile of “Eat Pray Love” be a little higher right now? I admit I’m on the wrong side of the Atlantic; perhaps American streets, magazines and airwaves are flooded with promotional material for Ryan Murphy’s adaptation of  Elizabeth Gilbert’s chick-lit smash. But the film’s online presence seems decidedly muted, while reviews of any sort have yet to appear. What gives?

    Usually, when critics are kept from seeing or writing about a film until this late in the game, it’s because the product smells decidedly iffy. But that’s hardly the case with “Eat Pray Love”: the source material has a devoted following, the talent involved is top-flight, and the trailer was attractive and thoroughly ingratiating.

    As I made clear in a Page to Screen column recently, I detested Gilbert’s fussy, solipsistic memoir, yet the trailer’s promise of airy romance, luscious scenery and Julia Roberts at her most personable had me pegging the film as one of this summer’s most inviting; if it could win me round, the book’s legions of fans should practically be queuing at the theaters already.

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  • COMIC-CON: ‘The Expendables’ injects some testosterone into the geek Mecca

    We’re only a day in, but the star of Comic-Con so far, if it isn’t Scott Pilgrim, has to be Sylvester Stallone.  The muscle-bound action star hit Hall H yesterday with a few scenes from his new film “The Expendables” in tow and couldn’t have had more swagger and charisma.

    Ain’t It Cool News poobah Harry Knowles moderated a panel consisting of stars Terry Crews, Steve Austin, Dolph Lundgren, Randy Couture and Sly himself.  Bruce Willis, who was on hand earlier in the day for a “RED” panel, stopped by for a few moments as well.  Early on, Knowles caught himself in the moment: “Can I just say something?  HOW F**KING COOL IS THIS??”

    It wasn’t really a hyperbolic statement. It WAS pretty damn cool to see that much testosterone on stage.  And it was the right crowd for this kind of film, echoed by one of the Q&A questioners later on: “I just wanted to say that you guys are responsible for my upbringing, more so than my parents.”

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  • Comic-Con 2010 on the way

    Well, the inbox is getting stuffed with this and that regarding breakfasts and panels and viral marketing and yada, yada, yada.  That can mean only one thing: Comic-Con is around the corner.  And as I poured over the recently released schedule over the weekend, I found myself excited for…very little.

    DreamWorks Animation will make its first appearance with the Will Ferrell-starrer “Megamind.” Disney will pretty much take over the place as “TRON Legacy” makes its third trip in as many years to San Diego.  Sony will be in Hall H two days, first offering up action fare with “Salt” (which opens the Friday of the convention) and “Battle: Los Angeles,” then coming back with comedies “The Other Guys” and “The Green Hornet.”

    Warner Bros. will tease “Green Lantern,” “Sucker Punch” and the new “Harry Potter” while Overture will have “Let Me In.”  Lionsgate will break out “The Expendables” and Universal is planning some hijinks for “Scott Pilgrim vs. the World” to go along with Hall H presentations for the new Greg Mottola film “Paul” and the more appropriately positioned “Cowboys & Aliens.”

    Oh, and fresh off of giving Edward Norton the heave-ho for, I imagine, deigning to try and make “The Avengers” a better movie than it’s likely to be, Marvel Studios will strut its stuff with “Thor” and “Captain America: The First Avenger.”

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  • Chirp…chirp…

    Is there anything out there worth talking about?  Bueller?  Bueller?  I got nothin’.  Though some recently released stills from Sylvester Stallone’s “The Expendables” (via /Film) remind me just how testosterone-laden that cast is.

    Call this an open thread, I guess.  Sound off.