Regular readers (or Twitter followers) may have gathered by now that Peter Morgan isn’t my favorite high-end screenwriter on the scene — I’ve found his recent run of factional biopics, resulting in a pair of Oscar nods for “The Queen” and “Frost/Nixon,” increasingly smug and samey, and was pleased to see him attempting something a little different in Clint Eastwood’s “Hereafter.”
Going on the mixed Toronto reception for the latter film, the jury is still out on whether Morgan’s flirtation with fiction — spiritually-tinged fiction, no less — has actually been successful. Either way, it would appear that Morgan is quite ready to return to his comfort zone, and more specifically, to his longstanding hobby-horse, Tony Blair.
Morgan has now dramatized the career of the former British prime minister in three separate projects — with “The Queen” sandwiched by TV films “The Deal” and “The Special Relationship” — each of them giving actor Michael Sheen an opportunity to fine-tune his Blair impersonation.
You may recall, a few months ago, Kris
Right, so Michael Sheen obviously ignored my