In Contention

Tag: Why Did I Get Married Too?

  • Tyler Perry, Oscar nominee?

    One thing I like about David Poland as an awards analyst is that he often makes an effort to expand the tight circle of contenders by bringing little-buzzed names into the conversation. Needless to say, this kind of punditry can lead to a lot of dead ends, but every now and then he lands on a genuine sleeper — which is why this casual aside in his Friday box-office column caught my eye:

    Of the current 16 [Lionsgate] $20m domestic openers, 7 are Tyler Perry (which is why For Colored Girls… is a lock to end up in this year’s Oscar race come December)…

    In case it hasn’t been on your radar, he’s talking about “For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf,” Perry’s filmization of Ntozake Shange’s landmark 1975 stage study of the African-American female experience. The play, a poetry-based piece taking on issues of abuse, rape, abortion and eventual empowerment, is pretty strong medicine; it’s difficult to imagine how it might work on film, and how it’ll mesh with Perry’s brash creative sensibility.

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  • SUNDAY CENTS: Cash of the ‘Titans’

    *All historical figures cited are adjusted to today’s dollars.

    Alright. “Clash of the Titans” is the number one film at the box office with a weekend take of $61.4 million. Is that a tally worthy of the Gods? Simply put, in my opinion, no. Let’s set aside the 3D for a second and just pretend that isn’t a factor. Three years ago, “300” was able to debut with $78.4 million in the wastelands of March with arguably less recognizable source material and no recognizable star power. On this very same weekend last year, “Fast & Furious” opened to $72.4 million, setting a new record for the month of April and proving that huge grosses can come on any weekend in any month.

    The budget on “Titans” was huge and Warner Bros. spent a small fortune hastily adding 3D at the last minute to try and soullessly suck out a few more bucks. In the shortest of short term, this may have worked, but the word of mouth has been atrocious and a lot of it has to do with the 3D so I expect this to drop like a rock and barely finish around $125 million. With overseas markets, that’ll be enough and yet another lifeless remake earns its stripes thanks to you (if you saw it).

    Far more impressive, is the $30.2 million start of “Why Did I Get Married Too?” Tyler Perry’s movies have been the height of consistency, with his Madea titles earning $30 million plus and his Madea-less dramedies earning in the low $20 million range. Now he’s bucked the trend and proved that he doesn’t need a fat suit to register huge numbers. Seriously, there’s nothing harder than opening a drama about adults to $30 million. And that is why Lionsgate is changing their name to Tyler Perry’s Lionsgate.

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