In Contention

Tag: Into the Abyss: A Tale of Death a Tale of Life

  • INTERVIEW: ‘Into the Abyss’ director Werner Herzog

    Telluride Film Festival

    Legendary filmmaker Werner Herzog first attended the Telluride Film Festival at its second annual way back in 1975. He brought with him “Aguirre, the Wrath of God,” which would not be released in the US for another two years, and “The Enigma of Kaspar Hauser.” He was also set to receive a tribute, still at the beginnings of his career. He has come back almost every year since, and almost every year with a new film to show audiences.

    The film he brought to the 38th annual fest is perhaps his most accomplished documentary in some time: “Into the Abyss: A Tale of Death, a Tale of Life.” It was, as outlined from the mountains, my favorite film of the festival and a testament to Herzog’s powers of observation and reverence for everyday people and their plights.

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  • TELLURIDE: Herzog’s meditative and crucial ‘Into the Abyss’ is best of the fest so far

    The weather is keeping up here, with rain only threatening a drop or two here and there. As festival co-director Julie Huntsinger quipped at yesterday’s press orientation, there must have been a deal struck with the devil somewhere along the line, because the weather is always miserable here for the three or four weeks leading up to the fest, and then, on the Thursday when most arrive in town, the clouds part and the air clears and the Show is on.

    After sitting down for a few choice minutes with Glenn Close earlier this morning, I hoofed it up the hill a bit to the Palm theater and my first screening of the day, and, well, it was impactful, to say the least.

    Werner Herzog is a movie deity to me. “Aguirre, the Wrath of God” is a top 15 all time kind of film in my view. His work with Klaus Kinski so many years ago is the sort of cinema madness that digs under your skin and I just love it. But his feature work as of late has left me a bit cold, while his documentary work — an obvious passion for him these days — hasn’t registered for me despite much acclaim.

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  • TELLURIDE: Herzog’s latest lands at Sundance Selects, ‘Rum Diary’ looks like a go for the SHOW (or does it?)

    Still no screenings yet here at Telluride. Most are up at the Patron Brunch smooching George Clooney’s rear at the moment. I’ve been on the porch of my B&B enjoying the crisp mountain air and doing a little work. Alejandro González Iñárritu popped in here with his family. He was here last year with “Biutiful” and maybe it sucked him in.

    On a quick stroll around town I popped into a local bookstore and noticed a display featuring festival highlights: Kaui Hart Hemmings’s “The Descendants,” John Kerr’s “A Most Dangerous Method”… and Hunter S. Thompson’s “The Rum Diary.” So chalk the latter up as surely one of the festival’s surprise “TBAs.” And, indeed, Johnny Depp is in town. (UPDATE: Anne Thompson is reporting the festival didn’t screen the film, so…who knows what’s going on with that.)

    Meanwhile, Werner Herzog’s documentary “Into the Abyss: A Tale of Death, a Tale of Life” announced distribution yesterday and I’m just now seeing it. Last year “The Way Back” held its Newmarket acquisition announcement for the first day of the fest. Herzog’s latest is definitely on my list. I hope I can get around to seeing it.

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  • TELLURIDE: Settling in for the 38th annual

    So here I sit in Telluride, a nice view of the mountainside gondolas out the window, a swift flight and gorgeous shuttle ride later. As always, we were greeted with the festival program upon boarding the charter this morning, which also carried filmmakers Werner Herzog and Alexander Payne, actress Tilda Swinton, etc., their presence at the airport already hinting at what was likely to be inside.

    The three most expected films are here: Payne’s “The Descendants,” David Cronenberg’s “A Dangerous Method” and Steve McQueen’s “Shame.” Those will be at the top of my list this weekend. Rodrigo Garcia’s “Albert Nobbs” is, along with Payne’s film, the big first-look get for the festival. Though we’ll get looks at McQueen’s flick ahead of Venice, it appears. Also of interest to me are Cannes carry-overs “We Need to Talk About Kevin,” “Le Havre,” “The Kid with a Bike” and “Footnote.” And on the documentary front, there is Matin Scorsese’s “George Harrison: Living in the Material World” (centered on Beatle George Harrison) and Herzog’s latest, “Into the Abyss: A Tale of Death, a Tale of Life.”

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