In Contention

Tag: The Crying Game

  • THE LONG SHOT: What are precursors for, anyway?

    Anne Hathaway at the 2009 Critics Choice AwardsI didn’t time my holiday to coincide with the sleepiest week of awards season, but that’s how it panned out anyway. While I spent 10 days drinking my way along the canals of France’s Burgundy region, divorced from my computer screen and, I admit, any thoughts of Oscar whatsoever, the industry, too, took a collective siesta.

    As people assimilated the minimal revelations of this year’s festival run (Gosh, people like “Precious?” Who knew?) and steeled themselves for the annual madness ahead, the Producers Guild of America clearly aimed to take advantage of the lull by announcing the expansion of its feature film nominees to 10. The blogosphere stirred briefly, dutifully posted the press release, and went back to sleep.

    The PGA was probably hoping for more of a reaction than it got, but that’s what happens when you ape a larger organization’s move three months after the fact…as everyone suspected you would, anyway.

    The truth, however, is that the news was as dispiriting as it was unsurprising. Because for all the organization’s feeble claims that the copycat move was made purely in the interests of artistic diversity, all it does is expose a serious identity crisis that afflicts many of the season’s precursors.

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  • What will win the PGA?

    Tonight, we will receive our biggest precursor pointer to date, as the Producers Guild of America becomes the first of the guilds to make its final pronouncement.

    In case you’ve forgotten, the five films vying for the PGA’s top honour are “The Curious Case of Benjamin Button,” “Frost/Nixon,” “Milk,” “Slumdog Millionaire” — and the one nominee to fall foul of Oscar voters, “The Dark Knight.”

    “Slumdog Millionaire” appears to be the safest bet, even if its producer, relative newcomer Christian Colson, is less of an industry insider than his fellow nominees. (After all, the field includes such popular figures as Kathleen Kennedy and Frank Marshall, and previous winners Brian Grazer, Ron Howard, Bruce Cohen and Dan Jinks.)

    But with “Slumdog” hurtling towards all-but-inevitable victory on Oscar night, not having missed a single stop on the awards trail so far, that shouldn’t matter. It’s by far the most well-liked film in contention, as well as being a profitable indie with a scrappy-fighter backstory. I doubt the PGA will resist.

    Back when the nominees were announced at the start of the month — doesn’t that seem a long time ago? — Kris suggested that “The Dark Knight” was the “likely winner.” It made perfect sense at the time: these are producers, after all, so they value financial prowess as much as artistic achievement. (Previous PGA nominees include “Harry Potter and the Sorceror’s Stone” and “My Big Fat Greek Wedding.”)

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