In Contention

Tag: Four Lions

  • ‘King’s Speech’ nabs seven BAFTA Awards

    I had more interesting things to do at the Berlinale this evening than watch the BAFTAs, so the only commentary I can offer is on the winners list itself. And, well, it doesn’t make for terribly exciting reading. To the surprise of precisely no one, “The King’s Speech” ruled the night with seven trophies, though as I predicted, “The Social Network” barred its way in the Best Director category — with further wins for Adapted Screenplay and Editing bringing its total to three.

    Clearly, Fincher’s Oscar hopes are still alive, though it would be unwise to read too much into this result: as I noted earlier, BAFTA voters split their top two awards more often than not.

    Two of the wins for “The King’s Speech,” however, were widely unexpected. With Geoffrey Rush beating Christian Bale to the Best Supporting Actor award — and Colin Firth and Helena Bonham Carter both predictably winning their categories — the film becomes only the third in BAFTA history to scoop three of the four acting categories.

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  • Previewing BAFTA

    In the 10 years since they moved up in the calendar to pre-Oscar status, the BAFTAs have hovered uncertainly between complying with awards trends across the pond, thereby establishing themselves as a viable precursor, and stubbornly standing by their own – as in 2007, when they opted out of the Coen Brothers-P.T. Anderson faceoff by picking “Atonement,” despite the film’s only other award coming for Best Art Direction.

    This year, however, offers them the best of both worlds. Rewarding “The King’s Speech” will simultaneously allow them to co-sign a heavy Oscar favourite and preserve their national pride.

    Add in the fact that a vote for the film also represents a vote for the much-mourned UK Film Council – oh, and that it just happens to be a smash hit with British audiences – and the royal biopic would likely have been a lock for the top prize even without the support of major US guilds.

    (More, plus predictions, after the jump.)

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  • Wish list 2010

    Tomorrow’s the big day.  And there are always surprises.  But rather than offer a space for predicting shockers, I thought I’d ask for your wish list picks.  Name three nominations (in the major categories) that seemingly have no chance whatsoever, but are still in the acceptable realm of possibility, which would send you over the moon.

    For example, I might consider “Exit Through the Gift Shop” to be the best film of the year, but for these purposes it’s more appropriate to go with something like “Shutter Island” or, better yet, “The Way Back” for my “wish list” picks in Best Picture.  Make sense?

    I’ll start…

    Best Picture: “The Way Back”
    Best Director:     Mike Leigh, “Another Year”
    Best Original Screenplay:     “Four Lions”

    You?  (My final predictions are here if you missed them.)

    [Photo: Drafthouse Films]

  • Guardian shortlists 10 titles for Best First Film

    When I was filling out my ballot for indieWIRE’s 2010 critics’ poll, Best First Film was perhaps the category I spent the longest time deliberating over — as unremarkable as the year has been in other respects, the amount of scrappy new directorial promise surging up through the cracks has been both unusually high and unusually prominent.

    Excitingly, much of this fresh filmmaking energy has been on the non-fiction side of things — something reflected in The Guardian’s newly announced shortlist for their annual Best First Film award. Four of the 10 films selected are documentaries after a fashion, even as they play with the boundaries of the format. (One of them, of course, turns out to be wholly a performance piece.)

    Included, of course, is Kris’s #1 film of the year, as is the film I eventually settled on for my indieWIRE vote. The list follows the UK release calendar — hence the inclusion of a 2009 title and the exclusion of, say, “Animal Kingdom” — but it’s a fine selection nonetheless.

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  • If I had a ballot

    The year is winding down.  Today, as part of the week’s on-going year-in-review specials, I’m offering up my annual “if I had a ballot” post.

    In years past I’ve tended to defer to studio campaigns for category placement, but this year I figured, “Screw it.”  After all, if I actually had a ballot I could call the shots.  So I have.

    You’re familiar with my Best Picture line-up by now.  I’ve opted out of the Best Foreign Language Film and Best Documentary categories because there are a few films I’d rather have seen before making that call, but otherwise, it’s the usual Oscar fields with an ensemble category tacked on.

    Feel free to post up your own selections, if you have them, in the comments section below.  And remember to check back Friday as I close up shop on 2010 with my list of superlatives.  For now, check out my personal ballot after the jump.

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  • Go see ‘Four Lions’

    It struck me when I put up those two “tell us what you thought” posts this afternoon that I should probably dedicate some space to the film opening this week that deserves a look above all else.

    Chris Morris’s “Four Lions” opens in limited release this weekend after debuting at Sundance in January and playing this or that festival throughout the year.  It is the first release from Drafthouse Films, a distribution wing developed out of Austin’s famed Alamo Drafthouse theater.  And it’s a devilish delight.

    I finally saw the film last night after missing it at every turn.  Yes, the film is funny.  But the humor and commentary cut so precisely that it has to be considered one of the great satires, perhaps in league with seminal efforts like “Network” or “MASH.” Interestingly, it’s not television news or warfare that Morris is sending up, but rather, an intriguing blend of the two.

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  • 11/1 OSCARWEB ROUND-UP: ‘Four Lions’ on tour, Thompson remembers ‘Back to the Future,’ The Boss talks ‘The Promise’

    • Devin Faraci goes on the road with Chris Morris and his film, “Four Lions.” [Badass Digest]

    • Brian Truitt talks “Back to the Future” with Lea Thompson, 25 years later.  I always forget it was nominated for Best Original Screenplay.  (AWESOME.)  [USA Today]

    • Bruce Springsteen talks the making of “Darkness on the Edge of Town” at the London premiere of “The Promise.” [The Guardian]

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  • A little love for ‘I Am Love’

    I know the film has a lot of devotees on this site — I’m not wholly with them, though for the second year running, I do think Tilda Swinton merits a lot more Best Actress consideration than she’s getting — so you may be pleased to know that florid Italian melodrama “I Am Love” has at least (however indirectly) taken one bit of minor silverware.

    I wasn’t aware that the inaugural Screen International UK Marketing & Distribution Awards took place two weeks ago, but so they did, with “I Am Love” (and marketing team AllCity) deservedly scooping Poster of the Year honors for the arresting hot-pink design featured to the right (and in full after the cut). As it happens, we singled out the film’s poster portfolio for praise earlier this year; nice to know we weren’t alone in our admiration. Hey, it’s something.

    Among the posters it beat is another of my favorite 2010 one-sheets recently featured on these pages: the witty crow-and-bomb design for “Four Lions.” Chris Morris’s controversial (and, yes, funny) UK terrorism satire did, however, take the award for Trailer of the Year. You can check that out, too, after the cut.

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  • ‘Four Lions’ poster

    I’ve slowly begun to perk up at Chris Morris’s “Four Lions,” which has been playing the festival circuit all year and is heading for a November 5 release.  I need to track down some screenings, but it’s worth noting that the film, a farce about British jihadists, was written in part by Jesse Armstrong, one of the co-nominees of last year’s “In the Loop.” And judging by the new poster, I’m guessing the film is funny.  Check out the full image after the jump.

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  • ‘Four Lions,’ ‘Thunder Soul’ take audience awards at LAFF

    The poor Los Angeles Film Festival has had to battle major sporting events at every pass this year. Beats being screwed by World Cup refs, I guess.  The final press release, in part:

    Today Film Independent…announced its 2010 Los Angeles Film Festival audience award winners before the Closing Night film, Despicable Me. The Los Angeles Film Festival, presented by The Los Angeles Times, with its central hub at L.A. LIVE, began Thursday, June 17 and ended today.

    The Audience Award for Best Narrative Feature went to Four Lions directed by Christopher Morris and the Audience Award for Best Documentary Feature went to Thunder Soul, directed by Mark Landsman. Roberto Hernández and Geoffrey Smith’s Presumed Guilty won the Audience Award for Best International Feature.

    The Audience Award for Best Short Film went to Dock Ellis & the LSD No-No, directed by James Blagden. The video for OK Go’s This Too Shall Pass, directed by James Frost, OK Go, and Syyn Labs won the Audience Award for Best Music Video.

  • Ones to watch at Sundance 2010… maybe

    Michelle Williams and Ryan Gosling in Blue ValentineI always get a curious thrill from looking down the list of films selected to compete at the Sundance Film Festival — the 2010 batch of which has just been announced by festival directors John Cooper and Trevor Grath.

    You know there are at least one or two titles there that we’ll all be talking about in precisely one year’s time, just as “Precious,” “An Education” and “The Cove” have blossomed from festival darlings to surefire awards contenders in the space of 11 months. What’s far harder to tell is which of the 58 titles listed here might be “the one.”

    Still, last year I played something of a guessing game with the lineup, singling out one film from each of the competition’s four strands that seemed of particular interest to me: my faith in “An Education” was, obviously, handsomely repaid, while “Big Fan” (a winner at this week’s Gotham Awards), “Afghan Star” (the UK’s foreign Oscar entry) and Doors documentary “When You’re Strange” have done respectably for themselves.

    OK, I missed “Precious” — so as far as that particular game goes, I’m going to quit while I’m behind. Still, what follows is a selection of ten titles that I’m keeping an eye on.

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