In Contention

Tag: The Twilight Saga: New Moon

  • The kids are NOT all right (or alright, for that matter)

    This post is so unnecessary because it is an obvious lost cause. It really shouldn’t even be enough to get a rise, but in me, it just…does.

    You know, once upon a time the MTV Movie Awards (which are voted on publicly) actually seemed to reflect an edge in America’s youth. Think about it. “Terminator 2: Judgment Day” won the MTV award for Best Picture. “Menace II Society” won the MTV award for Best Picture. “Pulp Fiction,” “Seven,” “Scream,” “There’s Something About Mary,” “The Matrix,” “Napoleon Dynamite,” etc.  Room was even made here and there for prestige pics that tapped a pop culture vein.  “A Few Good Men,” for instance, or “Titanic,” “The Lord of the Rings” trilogy and “Gladiator,” one of only two times the award matched the Academy’s choice.

    And in the last five years?  Scary.  “Wedding Crashers,” “Pirates of the Caribbean: Dead Man’s Chest,” “Transformers” and far and away the two worst films to win a popcorn statue: “Twilight” and “The Twilight Saga: New Moon.” (Why, Bill, why?)  What the hell happened to the MTV audience?  What happened to the kids’ edge?  Who are these people?

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  • International Film Music Critics nominees

    The Twilight Saga: New MoonThis just arrived via press release.  Talk about your refreshingly diverse list of contenders.

    Predicting the Academy’s Best Original Score category can often be a bit of a chore.  There is no “guild” for the composers, after all, nothing to serve as a barometer.  For the longest time you could generally count on the group to be quite insular, and they still are to an extent, but as of late, they have also been a bit more open to newbies.

    The only other thing we have to go by is the International Film Music Critics Association, which isn’t much to go by at all, really.  You can look over the group’s five years of nominee announcements and see rather quickly that it’s an artfully-minded assemblage.  In a nutshell, “Drag Me to Hell” won’t be get to call itself an Oscar nominee, but it’s cool to see it pop up here.  “Twilight,” on the other hand…maybe.

    Michael Giacchino received a record nine nominations himself, including in the top field, which you can see below.  For the rest, head on over to The Circuit.

    Film Score of the Year
    “Avatar” (James Horner)
    “Drag Me to Hell” (Christopher Young)
    “Star Trek” (Michael Giacchino)
    “The Twilight Saga: New Moon” (Alexandre Desplat)
    “Up” (Michael Giacchino)

  • Good point

    I’d also suggest that the resurgence of women as box office makers or breakers is not to be under-estimated. Yes, women went to the movies before “Sex and the City: The Movie” last year (18 months ago), but it seems that since then there have been more women-oriented hits that can be solely claimed as being hits BECAUSE of women (and not “women taking their boyfriends” or whatever). “Julie & Julia”, “The Proposal” and, obviously, “Twilight: New Moon” and so on. Plus, so many people were saying “will Avatar get women audiences?” and I think the answer is most definitely YES.

    –Reader/commenter Glenn, in our “moments of the year” discussion yesterday.

  • SUNDAY CENTS: ‘Brothers’ gloom

    Brothers

    *All historical figures cited are adjusted to today’s dollars.

    As I already mentioned, the first weekend in December is a veritable dead zone at the multiplex as audiences start shifting more towards Christmas shopping and making vacation plans. Or maybe they are just too busy having sex. (More people are born in August than any other month.)

    Whatever the reason, business slowed enough for Sandra Bullock and “The Blind Side” to take the top spot in its third weekend. A $20.4 million haul is off 49% from last week but that’s actually a great hold for this frame and the running total now stands at $129.3 million. $200 million seems all but certain at this point and that means it’ll pass the $208 million that “Speed” made to become Sandy’s all time top grossing film.

    I don’t think Oscar will come knocking but she’ll probably land on Entertainment Weekly’s list of Entertainers of the Year and that’s just as desirable, right? Side note: How good is “Speed?”

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  • FRIDAY FORECAST: Thanksgiving leftovers and new turkeys

    (from left) Kate Beckinsale and Robert De Niro in Everybody's Fine*All historical figures cited are adjusted to today’s dollars.

    Sorry this is a little late, as I’ve been super busy this week. Luckily, it’s one of the slowest box office weeks of the year and there is little to look forward to.

    You can bet the farm that “The Blind Side” will win the weekend for the first time on its third try and continue it’s epic run towards $200 million. “The Twilight Saga: New Moon” should be your runner-up and it may get as low as five or six before you see a new film.

    Miramax is going for broke with the drama “Everybody’s Fine.” I thought the studio might start limited and try to trick people into thinking this would be one of those good, Oscar movies but they are sticking a Christmas tree on the poster and getting it into every Regal Cinemas in the country. Will it work? It should finish with $5 million for the weekend.

    In case you don’t know, the weekend after Thanksgiving is always deadly at the box office and studios rarely open worthwhile product. Last year gave us “Punisher: War Zone” at $4.3 million and the year before gave us “Awake” with $6.1 million. How someone pitched an action movie with a catatonic lead character and got it made is pretty incredible and beyond me.

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  • SUNDAY CENTS: New releases ‘Blind’ sided

    The Blind Side*All historical figures cited are adjusted to today’s dollars.

    Did you enjoy your Thanksgiving? If you are Sandra Bullock or work for Warner Bros. then I think I already know the answer.

    The number one movie for the second weekend in a row is “The Twilight Saga: New Moon” with $42.5 million. This is a good news bad news situation for Summit. The good news is that the film has $230.7 million after 10 days and only eight films have grossed more in that period of time. The bad news is that the figure represents a 70% drop from last weekend and only three films released on at least 3,000 screens have ever dropped more.

    And this is a holiday weekend. Does anybody at Summit care? Probably not, as the drops should level off a bit from here and the film will easily scoot past $300 million and become the second highest grossing title of the year.

    But what is the deal with “The Blind Side?” Seriously. A second consecutive weekend in the runner-up spot and another $40.1 million over the three days gives the drama $100.3 million after just 10 days. For those keeping track at home, that’s an 18% increase over last weekend and there’s a very real possibility that the film will make close to $250 million in the United States.

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  • WEEKLY WRAP: ‘Lovely Bones’ bows, ‘New Moon’ reigns

    Mark Wahlberg in The Lovely Bones• “The Lovely Bones” finally landed this week, to decidedly mixed reviews.

    • Kris and Anne offered their thoughts on the film (among others) in this week’s Oscar Talk.

    • In Off the Carpet, we combed through the Best Adapted Screenplay contenders (which now include “District 9”).

    • “New Moon” surprised nobody with a record-breaking box-office haul last weekend, and its dominance is set to continue.

    • This week’s Long Shot column surveyed the growing buzz around populist contenders in this year’s Oscar race.

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  • FRIDAY FORECAST: ‘Old Dogs,’ new pics

    (from left) Seth Green, John Travolta and Robin Williams in Old Dogs*All historical figures cited are adjusted to today’s dollars.

    Happy Thanksgiving everyone. If you are like most of America, then you vaguely had an idea that some movies opened on Wednesday, you stuffed your face on Thursday and you will flock to the multiplex today. This five-day period is extremely lucrative for the box office in general but not always new releases, which will most certainly be the case this year as “The Twilight Saga: New Moon” should continue its dominance over the marketplace.

    The one studio who likes this frame more than any other is Walt Disney and it will be unleashing “Old Dogs” on unsuspecting audiences. Seven of the top 10 Thanksgiving weekend openers of all time belong to the Mouse House, including all-time champ “Toy Story 2,” which walked away with $81.1 million over just the three-day weekend in 1999. Most recently, the studio tipped its hat to the past and came away with $35.9 million for the three days in 2007 with “Enchanted.” Early word has “Old Dogs” earning around $3 million on Wednesday, which is surprisingly soft and could put it on course for an $18 million weekend and $25 million for the five days.

    Warner Bros. opens the mandatory action film for Dads in “Ninja Assassin” and early word had it making $3 million on Wednesday as well. The multiplier won’t be as good as it is for “Old Dogs” but it still could translate to $15 million for the three days and $22 million for five. That’s right in line with “Transporter 3” and “Hitman” and all the other terrible action films that have opened during Thanksgiving.

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  • SUNDAY CENTS: ‘Twilight’ning strikes again!

    The Twilight Saga: New Moon*All historical figures cited are adjusted to today’s dollars.

    Well, that happened.

    “The Twilight Saga: New Moon” proved the franchise was no one-hit wonder by opening with $140.7 million over the weekend, breaking numerous records in the process. The $72.7 million pulled in on Friday is a new single day record, leaving “The Dark Knight” in the dust.

    The November opening weekend record of “Harry Potter and the Goblet of Fire” is disintegrated. The two days Chris Weitz’s film took to reach $100 million equals the fastest on record. The weekend figure is the fifth-biggest debut of all time and the per-theater average is the fourth-best for a film on over 4,000 screens.

    All that is to say that the “Twilight” franchise has now aligned itself with the biggest and brightest of all box office stars. Any conversation that includes Batman, Spider-Man and Jack Sparrow must now include Bella and Edward.

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  • Making the werewolves of ‘New Moon’

    I’m only posting this because it cracks me up how, I don’t know, disinterested Chris Weitz appears at the beginning of this clip (courtesy of MakingOf).  “One more big pay day before hanging it up.  Just get through it.  Go through the motions.”  Probably the wrong read, but anyway:

    And this thing bitch-slapped “The Dark Knight”‘s opening day record with something like $70 million. Sadness…

  • WEEKLY WRAP: Doc shortlist, honorary Oscars and more

    Lauren Bacall at the 2009 Governors' Awards• The shortlist of contenders for the documentary Oscar was announced, surprising many — we dug into it a little.

    • The season’s first Oscars were handed out, as Lauren Bacall, Gordon Willis, Roger Corman and John Calley were celebrated at the Governors’ Awards.

    • This week’s Off the Carpet column broke down the wide-open Best Original Screenplay race.

    • The Long Shot lived up to its name, spotlighting a few of the season’s most deserving outsiders.

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  • FRIDAY FORECAST: Bad ‘Moon’ rising

    Taylor Lautner in The Twilight Saga: New Moon*All historical figures cited are adjusted to today’s dollars.

    It’s Edward and Bella’s world and we’re just living in it. The film to beat for the Holiday season is “The Twilight Saga: New Moon” and fans finally got their chance to lay eyes on it tonight at midnight. Twi-hards have been lining up and breaking advance ticket sales records on Fandango so there’s no question that the film will be big. But how big?

    The original film opened just 52 weeks ago and earned a surprisingly huge $69.6 million. Prognosticators knew that the book had fans but there was little evidence to suggest a figure that size, particularly because new distribution outfit Summit Entertainment was the studio putting it out. The $36 million it took in on opening day was the 17th biggest Friday ever and represented more than half of the weekend take. If the fanboy rush was that big for the original, you can imagine how frontloaded the sequel is going to be.

    Some sort of record will probably be broken this weekend as the film unloads on a massive 4,024 screens nationwide with round-the-clock showtimes. “Harry Potter and the Goblet of Fire” is the current November opening weekend champ at $115 million and that isn’t totally out of the question. Neither is the $67.2 million opening day record by “The Dark Knight” completely safe, although I’m not quite bold enough to predict that big a Friday for Chriz Weitz’s film.

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  • TECH SUPPORT: Best Original Score — Volume II

    (from left) Tobey Maguire and Jake Gyllenhaal in BrothersSome categories haven’t had that much renewal since I last reviewed them. Best Original Score is an exception. Principally, this is because the category is very difficult to judge before hearing the scores, not to mention last minute personnel changes (as composers always seem to be the most disposable members of film crews).

    As I said last time, the music branch, though it has opened up to newbies slightly in recent years, is notoriously one of AMPAS’s most insular branches. Best Picture nominees tend to do reasonably well, but the category also tends to award “loud” music, and as of late, world music has been a favorite.

    One thing that has not changed, in my opinion, is that Michael Giacchino continues to lead this category for his score for Pixar’s “Up.” Giacchino was nominated two years ago for “Ratatouille” and again composed a soundtrack which was sad, joyous and suspenseful. The film is likely headed towards a Best Picture nomination and I expect Giacchino to show up as well.

    At the same time, I also can’t help but wonder if Giacchino maybe, just maybe, could pull off a double nomination this year for his compositions on J. J. Abrams’s “Star Trek.” The music was quite original and bombastic.  And, of course, the film a huge hit. I don’t see a lot of surefire nominees in this category, so this could be a place where it finds a home.

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  • ‘New Moon’ director says he might hang it up

    Chris WeitzGeez, are the “Twilight” films really so bad that poor Chris Weitz would call it quits?

    Of course I’m being facetious.  The real reason Weitz is giving for “The Twilight Saga: New Moon” being his penultimate film, according to MovieMaker Magazine, is the heavy studio influence on “The Golden Compass,” a film the director says he wanted to be his masterpiece, during post-production.

    (P.S.: I loved that movie, Chris.)

    Anyway, MovieMaker has even sent out a “look what we have!” press release, turning idle conversation into cut-and-dry fact.  At the end of the day, maybe Weitz will keep chugging along.  Then again, it’s difficult to argue with what Weitz actually says about his next project, I guess.

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  • 11/18 Oscarweb Round-up

    Philip Seymour Hoffman in Pirate Radio• The swashbuckling spirit behind “Pirate Radio.” [Los Angeles Times]

    • Anne Thompson wants to know where the screeners of “The Hurt Locker” are.  Probably waiting on “New Moon” box office receipts. [Thompson on Hollywood]

    • The gall: Why Roger Corman doesn’t deserve an Oscar.  Apparently there’s a “pro” side on the way. [Cinematical]

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  • Alexandre Desplat: Hollywood’s most prolific composer

    A quick glance at Alexandre Desplat’s 2009 resume reveals a whopping seven titles.  That’s pretty prolific for someone who offers up quality work each and every time out, rather than coasting on simplicity like a few other hard-working film music composers out there.  This weekend alone there are two films bearing Desplat’s musical signature — “The Twilight Saga: New Moon” and “Fantastic Mr. Fox” — and he already has a few lingering entries on screen in “Julie & Julia” and “Coco Before Chanel.”

    Jacques Audiard’s “A Prophet” lands on US screens in February, though it looks to figure in this year’s foreign film Oscar race, while perhaps the most anticipated film of Desplat’s upcoming projects is Terrence Malick’s “Tree of Life.” Desplat recently addressed an audience at the 50th Thessaloniki International Film Festival about working with Malick on the film:

    Meanwhile, as part of Variety’s Eye on the Oscars coverage (at a spiffy, newly designed Award Central page), Jon Burlingame talks with Desplat about the volume of work he’s been cranking out as of late.

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  • Kevin Smith talks ‘Twilight’ at Comic-Con

    One of my favorite parts of Kevin Smith’s Saturday Comic-Con appearance was his take on the “Twilight” series, video of which Dennis over at Think Hero has dug up and passed along.  Great stuff (originally at ScreenCrave.com):

  • 7/24 Web Round-up

    Audrey Tautou in Coco Before Chanel• Sam Toy reports from the set of “Coco Before Chanel.” [Empire]

    • Evan Davis on the cinema of Nicolas Ray. [The Auteurs’ Notebook]

    • Peter Sciretta (who I finally ran into yesterday) video blogs “Avatar” footage reactions with his crew (which is hitting the pavement hard at the Con). [/Film]

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